{
  "store": "Fabric Shop Company",
  "website": "https://fabriccompany.co.nz",
  "currency": "NZD",
  "count": 17,
  "products": [
    {
      "id": "felt-fabric-sheets-40-piece",
      "sku": "felt-fabric-sheets-40-piece",
      "title": "Assorted Colour Felt Sheets, 40 Piece Pack",
      "slug": "felt-fabric-sheets-40-piece",
      "price": 59.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "craft-fabrics",
      "category_label": "Craft Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "270 g",
      "images": [
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      ],
      "description_short": "This pack of 40 polyester felt sheets gives you ready-sized pieces for cutting, stitching and colourful craft projects.",
      "description": "Start with the project, not just the colours\n\nA small craft project can be awkward to shop for. You may need several colours but only a little of each. Buying larger pieces can leave you with more fabric than you need, while a single shade may limit the design you had in mind.\n\nThis pack offers 40 felt sheets in assorted colours. Each sheet is approximately 20 x 30 cm, or 8 x 12 in, and about 1 mm thick. It gives you separate pieces to work with for shapes, stitching and decorative details.\n\nThe key question is whether that format suits your project. Start with your pattern and the area you need to cover. Then decide whether an assorted pack gives you the colour choice and sheet size you need.\n\nWhat this craft felt fabric is\n\nThese sheets are made from non-woven polyester. Unlike woven cloth, this felt does not have an interlaced weave that can unravel along a cut edge. The maker describes it as easy to cut without fraying or crumbling.\n\nThat makes it worth considering for projects with exposed edges. You might cut a leaf, a letter or a simple animal shape and use the edge as part of the finished design. You do not have to plan a folded hem just to hide woven threads.\n\nThe material is still fabric, and the design matters. A very narrow strip or tiny point may behave differently from a broad shape. Before making a full set of pieces, cut one sample and handle it as you would in the finished project. This gives you a useful check without using much of your chosen colour.\n\nCheck the sheet size against your pattern\n\nThe nominal size is approximately 20 x 30 cm per sheet. The detailed item information also description 30.5 x 20.3 cm, which is close to the listed 12 x 8 in size. Treat the measurements as approximate rather than as a precision cutting guarantee.\n\nIf your pattern nearly fills a sheet, check the actual piece before marking it. Leave room for your cutting line and any seam allowance. A design that fits on paper with no spare space may be harder to place neatly on fabric.\n\nFor repeated felt shapes, make a paper template first. Move it around the sheet to see how many pieces fit. Turning a template can sometimes make better use of the space, but check whether the surface appearance matters to your design before cutting in different directions.\n\nThis is a pack of ready-sized sheets.\n\nDecide whether an assorted pack suits your colour plan\n\nAn assorted colour felt pack is useful when the project welcomes variety. You can lay the sheets side by side, compare combinations and choose a background before cutting the smaller details.\n\nIt is less certain for a design that depends on a very specific shade. The maker describes 40 assorted colours but does not include a named colour chart. Do not assume that a particular red, green or neutral will match something you already own.\n\nThink about how much of each colour the design needs. Forty sheets offer choice, but they do not mean you have a large area in one shade. If you are making several matching items, lay out all the required pieces before starting. This helps you spot a shortage while you can still adjust the design.\n\nWhat approximately 1 mm thickness means for planning\n\nThese are thin craft felt sheets, with a stated thickness of approximately 1 mm. That measurement helps you judge the scale of a project, but it does not tell you everything about firmness or how a finished piece will hang.\n\nFlat designs are a sensible starting point. Cards, cut-out pictures, stitched panels and layered decorations let you work with the sheet format without asking it to support a larger structure.\n\nIf your idea needs a shape to stand upright or carry weight, plan and test a backing rather than assuming the felt will do that job alone. Several layers also change the finished thickness. Stack small offcuts before sewing or gluing so you can see whether the result suits your design.\n\nCutting, stitching and joining pieces\n\nA clean template helps with both simple and detailed cutting. Draw your shape on paper first, check its size, then test your marking method on a scrap. A visible mark may become part of the edge if you cut beside it rather than through it.\n\nThe maker includes sewing, folding and sticking among the handling options. For felt sheets for sewing, test your needle, thread and stitch spacing before working on the final piece. Very tight stitches can change the appearance of a small shape, so inspect both sides of the sample.\n\nFor glued projects, choose an adhesive intended for the materials you are joining. Felt attached to card is a different task from felt attached to another fabric. Make a small test and let it dry as directed before judging the hold or appearance.\n\nDo not assume the sheets have an adhesive backing. None is specified.\n\nProjects that make use of smaller pieces\n\nThis pack's listed applications include embroidery, patchwork, educational materials, handmade gifts and seasonal decorations. These uses give you several ways to work with separate sheets rather than a large length of fabric.\n\nFelt for embroidery can provide a coloured background for a small stitched design. Patchwork felt sheets can be arranged into a panel with planned joins. For cards, a few cut shapes may be all you need to add a fabric detail.\n\nYou can also plan felt for seasonal crafts around a small set of reusable templates. Keep the shapes simple at first, then add layers if the sample works well. There is no need to use every colour in one project. A limited palette can make planning easier and leave the other sheets for another idea.\n\nUsing felt in shared craft sessions\n\nFor a group activity, preparation matters as much as the material. Count how many shapes each person will need, make a sample and check the cutting layout before dividing up the sheets.\n\nClassroom craft felt can be used for colour sorting, pictures or educational displays, as suggested by the maker's description. Choose the activity to suit the people taking part. Cutting tools, needles, glue and small offcuts all need appropriate adult supervision.\n\nNo safety certification or age rating is given in the maker's description. A suggested craft use does not establish that a finished item is suitable as a toy. If you are making something for a child, consider the whole design, including loose parts, attachments and how it will be used.\n\nCare depends on the finished project\n\nThe product details list machine washing, but they do not state a wash temperature or cycle. That leaves an important gap if you are planning something that will need frequent cleaning.\n\nTest a small sample before washing a finished piece. Once you add thread, paint, glue or a backing, care has to suit all those materials. A decoration attached to card, for example, needs a different approach from an undecorated sheet.\n\nIroning is mentioned by the maker, but a suitable heat setting is not given by the maker. Check any instructions included with the pack and test an offcut before applying heat. Store unused sheets flat and dry, away from direct sunlight. The maker describes fade resistance, but gives no test standard or outdoor exposure limit.\n\nInspect the pack before you begin\n\nOpen the pack carefully and check the sheets before making permanent changes. Look at the colour selection, compare the size with your pattern and try the feel of an uncut sheet against your intended use.\n\nThis is also the right time to think about returns. The stated change-of-mind policy allows returns within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. If you find an issue, contact us before cutting or washing the fabric. Keep the packaging and order details while the matter is being resolved.\n\nA delivery timeframe is not specified by the maker, so check the ordering information if your project has a fixed deadline.\n\nThe short version\n\nChoose these felt sheets when you want assorted colours for small, cut-and-join craft work. The pack contains 40 non-woven polyester sheets, each approximately 20 x 30 cm and about 1 mm thick.\n\nMeasure your pattern, plan the colour quantities and test your joining method on an offcut. If you need an exact shade, a large continuous piece or detailed wash settings, resolve those needs before starting. A little planning keeps more of the pack available for the projects you actually want to make.",
      "llm_summary": "This product is a pack of 40 non-woven polyester felt sheets in 40 assorted colours. Each sheet is approximately 20 x 30 cm (8 x 12 in) and approximately 1 mm thick. The detailed item description also lists dimensions of 30.5 x 20.3 cm. The stated item weight is 270 g. The sheets have solid colours and are described as fade resistant. Suggested uses include cut-out shapes, embroidery, patchwork, decorations, educational materials and handmade gifts. The felt can be cut, folded, stitched and attached with suitable glue. Machine washing is listed, but a wash temperature and cycle are not specified. An exact colour chart, country of origin and certifications are not specified by the maker.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
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      "condition": "new",
      "url": "https://fabriccompany.co.nz/felt-fabric-sheets-40-piece/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "white-aida-cloth-11-count-6-piece",
      "sku": "white-aida-cloth-11-count-6-piece",
      "title": "White 11 Count Aida Cloth, 6 Pieces",
      "slug": "white-aida-cloth-11-count-6-piece",
      "price": 46.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "craft-fabrics",
      "category_label": "Craft Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "230 g",
      "images": [
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      ],
      "description_short": "Six precut cotton pieces provide an 11 count base for planning separate cross stitch projects.",
      "description": "Start with the fabric, not just the design\n\nIt is easy to fall for a cross stitch chart before thinking about the cloth beneath it. Then you sit down to start and find that the finished design will be too large, the border is too narrow, or the fabric count is different from the one the chart uses.\n\nChoosing your fabric first helps avoid those problems. You need a count that suits your design, a background colour you want to keep visible, and enough room to finish the work.\n\nThis pack contains six pieces of white Aida cloth in 11 count. Each piece measures 30 x 46 cm (12 x 18 in). They are separate precuts, not a continuous length and not fabric cut to your requested size. That makes checking your chart against a single piece the first useful step.\n\nHow 11 count Aida works\n\nAida has a grid that gives counted cross stitch its structure. You follow a chart and place each cross over a fabric square. The grid helps you count across rows and keep the parts of a design in the right place.\n\nThe number in the fabric name describes its count. On 11 count Aida, there are 11 squares per inch. When you work one cross over each square, that means 11 stitches per inch.\n\nThis matters because a chart is usually measured in stitches, while your cloth is measured in centimetres or inches. The count connects the two. A design worked on 11 count fabric will take up more space than the same stitch chart worked on a higher count, assuming one cross per square.\n\nNeither choice is automatically better. Think about the size you want on the wall or in your finished item, rather than choosing by count alone.\n\nCheck the chart before choosing a piece\n\nFind the stitch width and height of your design. Divide each number by 11 to work out its stitched dimensions in inches on this fabric. Do both calculations, even if the chart looks roughly square.\n\nThe stitched area is only part of the space you need. You also need spare cloth around it. That border gives you somewhere to hold the work and may be needed for a hoop, seams or framing.\n\nDo not plan a design right up to the edge of the precut. Decide how the project will be finished, then check how much spare fabric that method needs. If you are using a framing service, ask about its requirements before stitching.\n\nTurning the cloth may help a rectangular design fit, but it does not create extra fabric. Check the width and height in the orientation you intend to use.\n\nWhat the six-piece format offers\n\nA cross stitch fabric pack is useful when you prefer to keep projects separate. You might reserve one piece for a gift and another for a design you want to stitch later. A spare piece can also give you room to practise before starting something more involved.\n\nThe pieces are already cut, so you do not need to measure a length from a roll just to separate your projects. You still need to check the size of each design and plan its position.\n\nThere is no need to assign all six pieces straight away. Keep unused cloth clean and dry until you have a chart in mind. A note stored with each planned project can help you remember its stitch count, thread choices and intended finish.\n\nThis format is less suitable if your design needs a piece larger than 30 x 46 cm. Several precuts should not be treated as a substitute for one larger, unbroken stitching surface.\n\nChoosing a white background\n\nWhite embroidery fabric leaves the thread colours and stitched shapes to carry the design. Any unstitched areas will remain part of the finished picture, so look at those spaces when choosing a chart.\n\nCheck how pale threads look against the cloth before committing to a large area. A colour that looks clear on a printed chart may be less distinct when placed beside a white background. A few sample stitches can help you judge the effect.\n\nAlso think about how much of the fabric will show. A design with open areas makes the background more visible than one that covers nearly every square.\n\nThe listed material here is cotton. The maker does not state a special finish or fibre grade, so choose it for the stated colour, count and size rather than an assumed treatment.\n\nWho this fabric may suit\n\nIf you are learning counted cross stitch, an 11 count grid can offer a useful place to practise following a chart. Start with a design you can count easily and check your placement as you go.\n\nBeginner cross stitch fabric still needs to match the project. A small, clear chart is often a more manageable first choice than a large design with many similar thread colours. Fabric count alone does not decide how difficult a pattern will be.\n\nExperienced stitchers may choose this count for the scale of the finished stitches or to suit a particular design. The same size checks apply, even when you have worked on Aida before.\n\nThis is a fabric pack rather than a complete kit. Plan your chart, needle, thread and any hoop or finishing materials separately. Those supplies are not listed as included.\n\nUsing it for other needlework projects\n\nCross stitch is a natural use for counted cross stitch fabric, but you may also want to try other embroidery stitches. Test them first to see how the grid affects the shape and spacing.\n\nFor a cushion or another sewn item, think of the stitched cloth as one part of the project. You may need backing fabric, seam allowances and other materials. Check the full construction plan before deciding where to place your design.\n\nThe reference information also mentions machine embroidery. It does not provide machine settings, stabiliser instructions or test results. If that is your intended use, consult your machine guidance and try a sample rather than assuming the cloth can be used with any setup.\n\nA small test is especially helpful when the finished item will require several different techniques.\n\nPrepare before making the first stitch\n\nOpen the pack and check the pieces before washing or cutting anything. This is also the right time to raise any concern about the order.\n\nLay out the chart and decide where the design will sit. Some stitchers work from the centre; others use a carefully measured starting point. Whichever method you choose, make sure the full design and its finishing border fit.\n\nIf you use a hoop, choose one that works with both the piece and the area you are stitching. Leave enough fabric outside it to hold the work without pulling at the edges.\n\nAvoid cutting away spare cloth too early. A border that seems generous while stitching may be useful when it is time to frame or sew the finished piece.\n\nWashing, pressing and storing the cloth\n\nMachine washing is listed for this cotton needlework fabric, but no temperature or cycle is specified. Check any care information supplied with your order before washing.\n\nOnce you add thread, the cloth is no longer the only material to consider. Thread dyes and embellishments may need different care. Test colourfastness before washing a finished project, and follow the needs of its most delicate parts.\n\nGentle pressing can help with folds. Use a protective cloth, check the needs of your threads and avoid direct heat on decorations. Do not assume that every material added to a cotton base can tolerate the same heat.\n\nStore spare pieces somewhere clean and dry. Keeping them away from loose craft materials that could mark the white surface will save you an unwelcome surprise when the next project starts.\n\nDelivery, gifting and returns\n\nA delivery lead time is not stated by the maker. If you need the fabric for a class, holiday project or gift deadline, check the delivery information before ordering rather than planning around an assumed arrival date.\n\nAs a gift, precut Aida fabric may suit someone who already enjoys stitching. Find out whether they use 11 count and like working on white. A fabric pack is a useful supply only when it matches the recipient's preferred projects.\n\nFor New Zealand change-of-mind returns, the stated period is 14 days from delivery. Fabric must be unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. Check your order early so any issue can be raised before you begin work.\n\nThe short version\n\nChoose this pack if you want six separate pieces of white cotton 11 count Aida, each measuring 30 x 46 cm (12 x 18 in).\n\nStart with your chart's stitch dimensions, allow enough cloth for finishing, and check that you have the other supplies you need. Once those details fit, you can begin with a clear plan instead of discovering a size problem halfway through your stitching.",
      "llm_summary": "This product is a pack of six white 11 count Aida cloth pieces for cross stitch and embroidery projects. The fabric is cotton, with a plain weave and solid white appearance. Each precut piece measures 30 x 46 cm (12 x 18 in). The listed weight is 230 g. Machine washing is listed, but a wash temperature is not specified by the maker. Country of origin and certifications are not specified. Delivery timing is not stated. For New Zealand returns, fabric must be unwashed, uncut, unused and in its original packaging within 14 days of delivery. The customer pays return postage for change-of-mind returns. Faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/white-aida-cloth-11-count-6-piece/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "white-lightweight-mesh-fabric",
      "sku": "white-lightweight-mesh-fabric",
      "title": "White Lightweight Mesh Fabric",
      "slug": "white-lightweight-mesh-fabric",
      "price": 51.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "craft-fabrics",
      "category_label": "Craft Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "9.07 g",
      "images": [
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      ],
      "description_short": "A single white polyester mesh piece offers slight stretch for pockets, bags and small craft projects without adding bulk.",
      "description": "When a solid pocket hides too much\n\nA pocket can keep things together yet make them hard to find. Small sewing tools, bag accessories and loose craft supplies can disappear behind a solid panel. A mesh pocket offers a different approach. You can see the contents without opening it or reaching inside to check.\n\nThis mesh fabric is a lightweight option for that sort of project. It comes as one white polyester piece measuring 46 x 137 cm (18 x 54 in). It is see-through and has slight stretch, making it worth considering for bags, pockets and small organisers.\n\nThe main buying question is whether its size and fabric type match your design. It is not a heavy-duty material with a stated carrying capacity, and it is not given by the maker by the metre. Start with those limits, then look at how the piece could fit your project.\n\nWhat the mesh brings to a design\n\nThe open structure is the main reason to choose mesh over solid fabric. For a pocket, that means the fabric itself does not hide everything stored behind it. For a craft panel, the see-through look can become part of the design.\n\nThe supplied description also notes that this lightweight polyester mesh adds little bulk. That matters when a project already has a main fabric, lining or binding. An extra pocket does not always need another solid layer.\n\nSlight stretch gives the fabric some room to expand. Still, slight stretch is not the same as a measured stretch rating. The maker does not state a percentage, a stretch direction or a recovery figure.\n\nKnow exactly what comes in the pack\n\nThis is one precut piece. Its stated size is 46 x 137 cm (18 x 54 in), and the fabric is white with a solid colour pattern. The supplied description identifies the material as 100% polyester.\n\nThe fixed size is important. You are not ordering a custom length, and ordering should not be based on an assumption that several units will arrive as one continuous piece. Plan around the single piece described here.\n\nBefore buying, draw your pattern parts at full size or use paper templates. Lay them inside a rectangle with the stated measurements. Include seam allowances and any fabric needed for folded edges. That simple check is more useful than judging the amount from a product photo.\n\nChoose it for the right kind of pocket\n\nMesh pocket fabric makes sense when visibility is useful. A pocket inside a bag might hold items you want to spot at a glance. A sewn organiser might use separate mesh panels so each section stays easy to inspect.\n\nThink about the contents as well as the pocket's shape. The mesh opening size is not stated. Very small objects may need a different kind of enclosure, so do not assume the fabric will hold every loose item.\n\nWeight matters too. The maker gives no load limit or strength test. A pattern that calls for lightweight mesh is a more useful starting point than a plan that asks the mesh to support heavy tools. Pocket depth, attachment seams and the backing fabric all need attention when you plan the finished item.\n\nCheck the pattern before choosing bag making mesh\n\nA bag pattern may ask for mesh in a side pocket, an inside compartment or a larger panel. Read the material list carefully. “Mesh” can cover fabrics with different weights, openings and stretch behaviour.\n\nThis piece is described as lightweight, see-through and slightly stretchy. Those are the qualities you can compare with the pattern.\n\nIf the pattern needs a particular technical mesh, ask for more information before buying a substitute. The fact that a fabric is suitable for bags does not mean it fits every bag design. A little checking now can save cutting into material that was never right for the pattern.\n\nPlan the layout before reaching for scissors\n\nStart with the largest panel. Once that fits, work smaller pocket pieces into the remaining space. Keep track of seam allowances rather than treating the whole rectangle as finished pocket area.\n\nIf you are making several matching pockets, count every piece on paper first. Include any test offcut you want to keep for stitching or care checks. It is easy to forget that testing uses fabric too.\n\nDo not assume the stretch runs in the direction your pattern needs. That direction is not stated by the maker. Inspect the piece when it arrives and compare it with your design before marking the final layout.\n\nThis is also the time to decide whether you need separate binding, a lining or a closure. Those choices come from the pattern and are not described as part of this fabric pack.\n\nSewing a lightweight, open fabric\n\nThe supplied description calls the fabric easy to sew, but it does not give machine settings. Your machine, thread and chosen seam will affect the result. Use an offcut to check the setup before sewing a visible panel.\n\nLook at the test seam from both sides. Check whether the fabric stays flat and whether the stitches hold it as intended. If it gathers or shifts, adjust your approach using your machine's guidance for lightweight mesh.\n\nAvoid pulling the fabric through just to keep it moving. With slightly stretchy mesh, tension during sewing may affect the shape of the finished panel. Let your test guide how you handle it.\n\nFor edges, follow the pattern rather than assuming one finish suits all projects. A bound pocket opening and a seam enclosed inside a bag serve different purposes. Test the finish you actually plan to use.\n\nWhere white craft fabric can fit\n\nWhite mesh fabric gives you a solid colour without making the panel opaque. Think about what will sit behind it. A backing fabric or the contents of a pocket will remain part of what you see.\n\nFor home decor mesh projects, begin with a specific pattern or design. Home decor is a listed use, but the maker does not give performance details for curtains, upholstery or outdoor exposure. Those uses may have needs beyond a lightweight craft panel.\n\nThe same care applies to arts and crafts. This polyester craft mesh may fit a small sewn detail, but there is no stated support for every glue, paint or heat process. Check the instructions for any other product you intend to apply, and test on an offcut rather than the finished piece.\n\nWashing and looking after the finished project\n\nMachine washing is listed in the care information, and the supplied description also says the fabric is dryer safe. Exact temperatures and cycles are not provided. Follow any care label supplied with the piece before setting the machine.\n\nA finished item may contain more than mesh. Binding, main fabric, thread and closures can have different care needs. Plan care for the whole item, not just the pocket panel.\n\nIf you want to test washing before sewing, first make sure you intend to keep the fabric. Washing changes its eligibility for a change-of-mind return. The maker does not give a shrinkage figure, so a test can be useful for planning, but it should come after the decision to keep it.\n\nIroning guidance is not stated. Do not guess a heat setting based only on the white colour or lightweight feel.\n\nCheck the piece before making changes\n\nWhen the fabric arrives, check its colour, quantity and overall size before cutting. Compare it with your paper layout and consider whether the mesh suits the things you want the finished pocket to hold.\n\nKeep the original packaging while you make that decision. Returns are available within 14 days of delivery if the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage for a change-of-mind return.\n\nFaulty or wrongly described goods are put right free of charge. If something appears wrong, raise it before starting the project rather than trying to work around the issue.\n\nNo delivery lead time is specified in the maker's description. If you need the fabric for a class, gift or dated project, check delivery information for your address before ordering.\n\nThe short version\n\nChoose this piece when your design needs lightweight, see-through white mesh with a little give. It is a fixed-size, 100% polyester piece measuring 46 x 137 cm (18 x 54 in), with bags, visible pockets and craft projects among its stated uses.\n\nCheck the pattern size and fabric requirements first. Leave room for seams and a test offcut, and avoid assuming technical details that are not given. A careful layout and a small sewing test are practical ways to decide how this mesh will work in your project.",
      "llm_summary": "This product is one precut piece of white lightweight mesh fabric measuring 46 x 137 cm (18 x 54 in). It is 100% polyester with a solid colour, a see-through mesh structure and slight stretch. Listed uses include bags, visible pockets, arts and crafts, and home decor. The fabric is described as easy to sew and as adding little bulk. The listed item weight is 9.07 g. Supplied care information allows machine washing and dryer use, but care temperatures are not specified by the maker. Mesh opening size, stretch percentage and fabric weight per square metre are not specified.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/white-lightweight-mesh-fabric/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "extra-wide-white-polycotton-fabric-3-metres",
      "sku": "extra-wide-white-polycotton-fabric-3-metres",
      "title": "Extra Wide White Polycotton Fabric, 3 Metres",
      "slug": "extra-wide-white-polycotton-fabric-3-metres",
      "price": 87.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "dressmaking-fabrics",
      "category_label": "Dressmaking Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "800 g",
      "images": [
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      ],
      "description_short": "A single precut piece measuring 3 metres by 238 cm gives you plain white polycotton for sewing, sheeting and home projects.",
      "description": "More room for the project you have in mind\n\nA sewing project can become more complicated when your fabric is too narrow. A large panel may need a join, a backing may need piecing, or your pattern layout may leave more waste than you expected. Checking width at the start helps you avoid those surprises.\n\nThis polycotton fabric is supplied as one precut piece measuring 3 metres long and 238 cm wide. It is plain white, with a solid pattern and a plain weave. That gives you a simple starting point for sheeting, dressmaking, crafts and home textile projects.\n\nThe useful question is not just whether you have enough metres. It is whether the full shape of your project fits inside the fabric, with room for seams, hems and preparation. A little planning before ordering makes that much easier to judge.\n\nKnow exactly what you are buying\n\nThis is one fixed piece. Your cutting plan needs to work within the stated 3 metre length and 238 cm width.\n\nYou may find this page while searching for white polycotton by the metre. Here, that search term describes the type of fabric, not a choice of custom lengths. If your project needs more than one piece, do not assume separate orders will arrive as a continuous length.\n\nThe width is also described as 94 inches. For precise work, use the stated metric size and keep your measurements in the same unit throughout your plan. This avoids small conversion differences building up across several pattern pieces.\n\nBefore you wash or cut, unfold the fabric and check that it matches your order. Keep its packaging until you have decided to keep it.\n\nUnderstand the blend and weave\n\nThe listed composition is 52% polyester and 48% cotton. That makes it a cotton blend rather than pure cotton. If your sewing pattern names a particular fibre content, compare that requirement with this blend before choosing.\n\nThe weave is listed as plain, and the fabric is also described as poplin. These details help identify the type of material, but they do not tell you everything about its feel. The maker does not state its drape, opacity, stretch or fabric weight per square metre.\n\nThe listed item weight is 800 g. Do not treat that figure as a GSM rating.\n\nWhen comparing white poplin fabric, look beyond the name. Your project's needs matter more than a broad fabric label, especially for fitted clothing or items with a specific structure.\n\nMake the extra width work for you\n\nWide width fabric can give you more options when arranging large shapes. A panel that would need joining on narrower cloth may fit across this piece. Whether that works depends on your finished dimensions and the allowances your project needs.\n\nStart with a paper plan. Draw the available rectangle and place your pattern pieces inside it, keeping their grain direction in mind. Include every piece, not just the main panels. Facings, ties, hems and small finishing parts can use more cloth than expected.\n\nDo not rotate pattern pieces simply to make them fit unless the pattern allows it. Fabric direction can affect how a finished item hangs or behaves. Width gives you room, but it does not remove the need to follow the cutting instructions.\n\nIf you are adapting a pattern written for a narrower fabric, work out a fresh layout. Its printed fabric allowance may not translate neatly to a 238 cm width.\n\nPlanning sheeting and bedding projects\n\nSheeting is a listed use for this fabric. The broad width makes polycotton sheeting worth considering when you want to plan a large, plain panel.\n\nMeasure the item you want to cover rather than relying on a bed-size name. For a flat sheet, the finished panel needs enough room for the coverage and hems you want. For a fitted design, depth and corner construction also affect the amount of material needed.\n\nA 3 metre piece is a starting size, not a promise that every bedding project will fit. Draw the full cutting shape before ordering. If the design needs elastic, trims or other supplies, plan those separately.\n\nThis is bedding sewing fabric, not finished bed linen. You will need to cut and sew it to your own design, and assess the fabric in person before deciding whether it gives the finish you want.\n\nChoosing it for clothing and costumes\n\nDressmaking is another listed use, along with clothing, costumes and lining. Plain white sewing fabric can suit projects where the cut or added details are the main focus.\n\nBegin with your pattern's fabric recommendations. Check whether it calls for woven cloth, stretch, a certain weight or a specific drape. Stretch is not stated for this product, so it should not be chosen on the assumption that it will work with a stretch-dependent pattern.\n\nFor pale garments, opacity deserves particular attention. Hold the fabric against the intended background and view it in different light before cutting. You may decide your design needs a lining, but that is a project choice rather than a feature promised by this product.\n\nFor costume making, test a small sample with your planned seams and trims. A quick trial can show you whether your construction method gives the shape you want.\n\nCrafts, quilting and home sewing\n\nThe listed uses also include crafts, quilting and home textiles. A solid white base leaves room for your own design choices, from contrasting stitching to added fabric details.\n\nIf you are considering quilt backing fabric, compare the full quilt dimensions with the available piece. Your quilting method may require backing that extends beyond the quilt top. Include that allowance before deciding that the width is enough.\n\nFor smaller crafts, arrange the largest shapes first and fit smaller parts into the spaces left over. Keep useful offcuts for testing stitches or practising a finish. That can save you from experimenting on a main piece.\n\nFor home textile fabric, judge each project separately. A simple decorative panel has different needs from an item exposed to strong wear or moisture. No waterproof rating is provided, so do not rely on this material for weather protection.\n\nCheck what the maker does not tell you\n\nGood fabric buying includes noticing the missing details. Here, the maker does not state GSM, shrinkage rate, exact opacity or a measured stretch value. Specific washing and ironing temperatures are also not supplied.\n\nThose gaps do not automatically rule the fabric out. They mean you should avoid building your project around an unconfirmed feature. If exact drape or a precise finished size is essential, seek the missing information before ordering.\n\nThe same care applies to dyeing and printing. A polyester and cotton blend needs products suited to its fibres, and no results are supplied for this fabric. Test your chosen process before treating the whole piece.\n\nThere is also no basis for assuming it meets a special performance requirement. Choose a fabric with confirmed specifications when your project depends on one.\n\nCare starts before the first cut\n\nMachine washing is listed in the care details. The maker does not give a wash temperature, dryer setting or ironing temperature, so follow any care instructions supplied with the fabric.\n\nFirst inspect the whole piece while it is still unwashed and uncut. Once you are happy to keep it, consider how the finished project will be cleaned. Testing a small offcut can help you check for changes before preparing the main fabric.\n\nDo not assume there will be no shrinkage. No shrinkage rate is stated. Projects with close-fitting covers or exact dimensions need particular care during preparation and measuring.\n\nTest pressing on an offcut too. Start cautiously and check the result before moving to a visible panel. Store the remaining fabric clean and dry so it is ready for your next sewing session.\n\nDelivery, gifts and returns\n\nWe sell in New Zealand, but a delivery lead time is not specified by the maker. Check the available delivery information before making plans around a sewing date. Leave time to inspect the fabric and prepare it before work begins.\n\nA precut piece can also be a useful gift for someone who sews. It helps to know what they enjoy making and whether white polycotton fits their plans. A fixed piece is easier to assess when the recipient already has a project in mind.\n\nReturns are available within 14 days of delivery if the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this piece if your project calls for plain white polycotton and fits within 3 metres by 238 cm. Its extra width offers room for larger layouts, while the fixed precut format keeps the supplied quantity clear.\n\nCheck your pattern, allow for finishing and inspect the fabric before washing or cutting. Those simple steps help you decide whether this is the right starting point for what you want to make.",
      "llm_summary": "This product is one precut piece of plain white polycotton fabric, measuring 3 metres long and 238 cm wide, also described as 94 inches wide. It is not The listed composition is 52% polyester and 48% cotton, with a plain weave and solid pattern. The listed item weight is 800 g. Suggested uses include sheeting, sewing, dressmaking, crafts, quilting and home textile projects. Machine washing is listed. Fabric weight per square metre, shrinkage, opacity and exact care temperatures are not specified by the maker. We sell in New Zealand. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/extra-wide-white-polycotton-fabric-3-metres/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "gold-charmeuse-satin-fabric-1-yard",
      "sku": "gold-charmeuse-satin-fabric-1-yard",
      "title": "Gold Charmeuse Satin Fabric, 1 Yard",
      "slug": "gold-charmeuse-satin-fabric-1-yard",
      "price": 65.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "dressmaking-fabrics",
      "category_label": "Dressmaking Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "132 g",
      "images": [
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      ],
      "description_short": "A single yard of solid polyester satin gives you fabric for small sewing projects, decorative accents and thoughtful handmade gifts.",
      "description": "Start with the project, not just the colour\n\nGold fabric can be the detail that brings a sewing project together. The harder part is knowing whether the piece you buy will actually fit your pattern. A lovely colour will not help if there is too little length for a runner or not enough room to cut a lining.\n\nThis satin fabric is supplied as one piece, one yard long and approximately 140 cm wide. It offers a defined amount for smaller projects, decorative accents and accessories. It is not a finished item, and this product does not offer a custom cutting service.\n\nBefore ordering, decide what you want to make and write down its finished measurements. Then add the fabric needed for seams, hems and any folds. That simple check is often more useful than choosing by a project photo alone.\n\nUnderstand what you are buying\n\nThe fabric is described as gold charmeuse satin. Its composition is listed as 100% polyester, with a satin weave and a solid pattern. That distinction matters because satin is not another word for silk. It describes a fabric construction, while polyester identifies the fibre in this piece.\n\nThe supplied item weight is 132 g. A fabric weight per square metre is not stated, so that item weight should not be treated as a published fabric-weight rating. Stretch and opacity are also not specified.\n\nIf your pattern calls for a particular weight, stretch percentage or level of coverage, check those needs before committing. The product name alone cannot answer every sewing question. For a project where those details are essential, ask for clarification rather than assuming this piece will behave like another satin you have used.\n\nCheck the length and width carefully\n\nThe detailed fabric measurements are 91.4 cm long by 139.7 cm wide. In rounded terms, that is a one-yard piece about 91 cm by 140 cm. There is one item in the pack.\n\nWhen shopping for satin fabric by the yard, it is easy to focus on length and overlook width. Both matter. A wide pattern piece may fit across the fabric, while a long panel may exceed the available length even when the total area seems generous.\n\nLay out your paper pattern pieces within a rectangle matching these dimensions. Keep seam allowances in the plan, and leave space for any required edge finishing. Do not assume that turning a pattern piece sideways is suitable. Follow the pattern's grain direction and layout advice.\n\nFor larger projects, do not assume that ordering more than one item will produce a continuous length. This product describes a single one-yard piece, not a made-to-measure length.\n\nChoose a project that suits one yard\n\nA smaller project is a practical way to make use of a defined piece. Scrunchies, gift bags and decorative bows are among the suggested uses. Each still needs a pattern or a clear cutting plan, but they let you work on a smaller scale than a full garment.\n\nSatin scrunchie fabric needs to accommodate the fabric casing and its seam allowances. Elastic is a separate supply, not an included part of this product. If you hope to make several, draw the full cutting layout before deciding how many the piece will yield.\n\nGift bags offer another option. Consider the space needed for a folded top or a closure as well as the bag itself. Small leftover sections may be useful for matching details, though the amount available will depend on your main project.\n\nThink through clothing and lining uses\n\nGold dressmaking fabric can provide a contrasting detail or become part of an accessory. A sash, scarf or garment panel may be worth considering if your pattern fits the piece. A full dress or other large garment needs its own yardage check.\n\nFor satin lining fabric, compatibility matters as much as appearance. Compare the lining requirements with the outer fabric and the way the finished item will be cleaned. A lining should not introduce a care method that conflicts with the rest of the garment.\n\nThis fabric's instructions say not to iron. That is worth considering before choosing a pattern that relies on frequent pressing to form its shape. If you are uncertain, choose a simpler project or seek sewing advice for the construction you have in mind.\n\nNo stretch specification is provided. Avoid treating it as a substitute for stretch fabric without further information.\n\nPlan table and event decorations to scale\n\nGold satin fabric is suggested for wedding and home decor, including table accents and chair bows. Start by measuring the space rather than assuming one piece will cover it.\n\nFor a table runner, decide how wide you want it and how far it should extend along the table. Include the hem allowance at both ends and along the sides. The usable finished size will be smaller than the unsewn piece.\n\nChair bow fabric needs enough length for the route around the chair and the bow itself. Chair shapes vary, so test the required length with a strip of spare material or another measuring aid before planning a set.\n\nFor wedding decor fabric, timing matters too. Allow time to receive the piece, inspect the colour and complete the sewing. A delivery lead time is not given by the maker, so confirm the current estimate before relying on it for a fixed date.\n\nUse gold as a deliberate colour choice\n\nThis is a solid gold fabric rather than a printed design. That can make it easier to plan a single-colour detail, but an exact shade reference is not given by the maker.\n\nIf the fabric must match existing decorations or clothing, leave room for a real-world colour check. Screens and room lighting can change how a colour appears. A product image is a useful guide, not a guarantee of a precise match.\n\nThink about how much gold your project needs. A small bow or trim section makes a different choice from a broad table panel. Planning the visible area can help you decide whether this one-yard satin fabric is enough without buying for a vague idea.\n\nKeep any exact-match requirement in mind before washing or cutting the piece.\n\nPrepare before you cut\n\nWhen the fabric arrives, inspect it while it is still unused. Check that the colour, amount and condition are right for your project. Keep the original packaging until you are sure you want to proceed.\n\nClear a flat work area large enough to support the fabric. Place your pattern pieces first, then check the layout a second time before cutting. This is especially helpful when one piece must provide several parts of the same project.\n\nUse a spare section to test your stitching setup where possible. Needle choice, thread and machine settings should suit the work you are doing. They are not specified or supplied as part of this fabric description.\n\nFor a first project with satin craft fabric, a straightforward shape gives you fewer construction steps to manage. There is no need to begin with the most complex item on your sewing list.\n\nFollow the stated care limits\n\nThe supplied care guidance calls for machine washing separately in cold water on a gentle cycle. If bleach is needed, only non-chlorine bleach is allowed.\n\nAir drying, line drying and tumble drying on low heat are listed options. Do not iron or dry clean the fabric. These limits should guide both your construction plan and how you care for the finished item.\n\nA finished project may contain elastic, thread, trims or another fabric. Check their care requirements too. The fabric's washing instructions do not automatically establish that every added component can follow the same routine.\n\nIf you intend to wash the fabric before sewing, first complete your inspection and decide to keep it. Washing changes its eligibility for a change-of-mind return under the stated policy.\n\nDecide whether it suits a gift\n\nA piece of gold sewing fabric may be a thoughtful gift for someone who enjoys making accessories or decorations. It is most useful when you know their preferred colours and have some idea of the scale of their projects.\n\nBe clear that this is fabric rather than a finished scarf, bonnet or pillowcase. The recipient will need a suitable pattern and any extra supplies.\n\nIf you are making a gift yourself, work backwards from the date you need it. Leave time for sewing and checking the result, not just delivery. A small, well-planned project is often a more manageable choice than one that uses every last centimetre.\n\nKeep your return options open\n\nReturns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage for a change-of-mind return.\n\nThat makes the first inspection important. Check the piece before starting a project rather than cutting a sample immediately. If something seems wrong, contact us and explain the issue.\n\nFaulty or wrongly described goods are put right free of charge. Keep that separate from simply choosing a fabric that does not suit your plan. In either case, raising the question promptly helps avoid uncertainty.\n\nThe short version\n\nChoose this gold charmeuse satin fabric when a solid polyester satin suits your project and a one-yard piece fits your cutting plan. It is a possible starting point for accessories, lining and decorative sewing, not a promise that every suggested item will fit.\n\nMeasure first, allow for finishing and check the care limits. Once those details work for your project, you can choose the gold finish with a clearer idea of what you will make.",
      "llm_summary": "This product is one piece of gold charmeuse satin fabric, supplied as a one-yard length. The listed fabric dimensions are 91.4 cm long by 139.7 cm wide, approximately 91 cm by 140 cm. The fabric is solid gold, with a satin weave and a listed composition of 100% polyester. Item weight is 132 g. Suggested uses include sewing, lining, accessories, crafts and wedding or home decor. Care guidance specifies a cold, separate gentle machine wash, with air drying, line drying or low-heat tumble drying. Ironing and dry cleaning are not advised. Country of origin, fabric weight per square metre and stretch are not specified by the maker. One pack contains one item, not a finished sewn accessory.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/gold-charmeuse-satin-fabric-1-yard/",
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      "updated_at": "2026-11-13"
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    {
      "id": "light-grey-cotton-fabric-1-metre",
      "sku": "light-grey-cotton-fabric-1-metre",
      "title": "Light Grey Cotton Fabric 1 Metre Precut",
      "slug": "light-grey-cotton-fabric-1-metre",
      "price": 64.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "dressmaking-fabrics",
      "category_label": "Dressmaking Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "150 g",
      "images": [
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      "description_short": "A single precut piece of plain-weave cotton gives you a neutral starting point for dressmaking, quilting and home sewing.",
      "description": "Start with the project, not just the colour\n\nFinding the right sewing fabric means matching more than a shade. A piece can look just right and still be too short for your pattern, need different care or lack the structure your finished item requires. A few checks before buying can save you from discovering those problems after cutting.\n\nThis light grey cotton fabric is supplied as one precut piece, 1 metre long and 147.5 cm wide. It is listed as 100% cotton with a plain weave and a solid colour. Suggested uses include dressmaking, quilting, curtain linings, pillowcases and tote bags.\n\nThose details give you a useful starting point. The next step is to compare them with your own design. Think about the size of the finished item, how it will be used and how you will care for it.\n\nUnderstand what you are buying\n\nThe phrase cotton fabric by the metre can sometimes suggest a length cut from a roll after you order. That is not the supply format here. This product is a fixed precut, and one pack contains one piece.\n\nThat difference matters when you need a long panel. Ordering more than one unit should not be treated as a way to receive a single continuous length. If your pattern needs a piece longer than 1 metre, check whether separate pieces would work before buying.\n\nThe width is 147.5 cm, also stated as 58 inches. Keep the length and width separate when planning. Rotating a pattern piece to make it fit may conflict with the grain direction marked on your pattern. The total area alone does not tell you whether every part will fit.\n\nWhat plain cotton brings to the design\n\nThis is 100% cotton plain fabric, with no printed motif listed. That gives you a simple visual base for a project. You can focus on the shape of a garment, the arrangement of patchwork or the details of a bag without also working around a large print.\n\nPlain weave describes the fabric construction. It does not, by itself, tell you everything about drape, opacity or stretch. Those properties are not specified by the maker, so avoid choosing it for a design that depends on an unconfirmed feature.\n\nFor example, a pattern made for stretch fabric needs more than the right colour. Likewise, a project that must block light needs confirmed light-blocking performance. Use the stated cotton content and weave as part of your decision, not as a promise of every property associated with cotton.\n\nMake light grey work with your other materials\n\nLight grey cotton fabric can serve as the main colour or sit alongside patterned panels. A solid neutral gives you room to add contrast through thread, trim or another fabric.\n\nBefore committing to a colour scheme, place the actual fabric beside the other materials you plan to use. Look at them in the light where the finished item will usually be seen. Small differences between greys may matter when two panels sit directly next to each other.\n\nIf you are buying neutral sewing fabric to match something you already own, allow time to inspect it before cutting. Keep the packaging while you make that decision. Once the fabric has been cut or used, it no longer meets the stated change-of-mind return conditions.\n\nCheck the cutting layout before ordering\n\nTote bags, for instance, vary in size. Some need separate base pieces, pockets and handles as well as the main panels.\n\nStart with the fabric requirements on your pattern. Check the width those requirements assume, then compare it with 147.5 cm. Next, review the cutting layout and count every piece, including any that must be cut twice or placed on a fold.\n\nDo not leave seam allowances and hems until the end. If you are drawing your own pattern, add them before arranging the pieces. A paper layout within a marked 1 metre by 147.5 cm space can help you see whether the plan is realistic.\n\nLeave yourself enough room to work accurately rather than relying on a very tight fit.\n\nChoosing it for dressmaking\n\nCotton dressmaking fabric needs to match the needs of the garment pattern. Read the recommended fabric types before you buy. A woven-cotton project is a more relevant starting point than a design that depends on stretch.\n\nLength is another key check. One metre is a fixed limit, and garment requirements change with size, sleeve shape and design details. Do not assume that a simple-looking garment uses only a small amount of fabric.\n\nCare matters just as much. This fabric is listed as dry clean only. If you want a garment that can go into a regular home wash, that instruction may make this piece unsuitable for your routine. Decide that before spending time on cutting and sewing.\n\nPlanning quilting and craft projects\n\nFor patchwork, a plain light grey panel can give patterned pieces some visual space. It may serve as a background, border or part of a repeated block, depending on your design and the amount required.\n\nWhen choosing cotton quilting fabric, count the pieces rather than estimating by eye. Include trimming allowances and any extra fabric your method needs. Small differences across repeated blocks can add up to a much larger requirement.\n\nAlso consider the care of the finished quilt or craft item. Combining fabrics does not remove the dry-clean-only instruction for this one. If the other materials need a different treatment, get advice before sewing them together. The finished project needs a care plan that works for all its parts.\n\nBags, pillowcases and curtain linings\n\nCotton fabric for tote bags is one of the listed uses. Your pattern may call for lining or interfacing to create the intended shape. This fabric description does not confirm that it can provide all the support a particular bag needs on its own.\n\nPillowcases are another suggested use, but check the full cutting measurements. Closures, folds and hems all use fabric beyond the finished pillow size. The care instruction also deserves thought for an item that may need frequent cleaning.\n\nFor curtain lining fabric, measure the required drop and width before buying. No blackout or thermal performance is specified here. A listed use as a curtain lining should not be read as a claim that it will darken a room or provide insulation.\n\nPrepare carefully before the first cut\n\nWhen the fabric arrives, inspect it before making changes. Check the colour, piece size and condition, then compare it with your pattern and other supplies. This is the point to decide whether it suits the project.\n\nRead the care instruction before following a general sewing tutorial. Many tutorials recommend washing cotton first, but that advice should not override this product's dry-clean-only instruction. Ask your dry cleaner about suitable preparation if you need guidance.\n\nOnce you are ready to proceed, arrange the full cutting layout before cutting any part. Check fold positions and grain markings against your pattern. Marking all the pieces first can help you avoid using an area needed for a larger panel later.\n\nKeep useful offcuts for tests or small details rather than discarding them at once.\n\nKnow which details are not confirmed\n\nA clear buying decision includes knowing what the maker does not tell you. Stretch, opacity, shrinkage results and colourfastness results are not specified. No certification or country of origin is established here.\n\nThe recorded item weight is 150 g. That is an item-weight figure, not a reason to assume a particular weight per square metre. If your pattern requires a specific fabric weight, seek confirmation rather than treating the two measures as interchangeable.\n\nThere is also no stated delivery lead time. If the fabric is for a gift, class or time-sensitive project, check delivery information before ordering. Build in time to inspect the piece and resolve any questions before your sewing date.\n\nKeep the return conditions in mind\n\nYou have 14 days from delivery to return fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nThat makes an early inspection worthwhile. If the shade or size does not work for your plan, pause before testing treatments or cutting a sample. Keep everything together while you decide.\n\nFaulty or wrongly described goods are put right free of charge. If something appears wrong, contact us with the details rather than trying to work around it.\n\nThe short version\n\nThis plain cotton fabric is a straightforward option when your project calls for light grey, 100% cotton in a fixed precut size. You receive one piece measuring 1 metre by 147.5 cm.\n\nCheck the cutting layout, required fabric properties and dry-clean-only care before ordering. If those fit your plans, you have a solid-colour starting point for a suitable sewing project.",
      "llm_summary": "This product is one precut piece of light grey, solid-colour, 100% cotton fabric with a plain weave. The piece is 1 metre long and 147.5 cm (58 inches) wide. Listed uses include sewing, dressmaking, quilting, curtain linings, pillowcases and tote bags. The recorded item weight is 150 g, and the listed care instruction is dry clean only. Country of origin is not specified by the maker. Delivery lead time is not specified. Returns are accepted within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. Customers pay return postage. Faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/light-grey-cotton-fabric-1-metre/",
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      "json_url": "https://fabriccompany.co.nz/api/products/light-grey-cotton-fabric-1-metre.json",
      "updated_at": "2026-11-13"
    },
    {
      "id": "red-polka-dot-cotton-poplin-1-metre",
      "sku": "red-polka-dot-cotton-poplin-1-metre",
      "title": "Red Polka Dot Cotton Poplin Precut",
      "slug": "red-polka-dot-cotton-poplin-1-metre",
      "price": 51.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "dressmaking-fabrics",
      "category_label": "Dressmaking Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "150 g",
      "images": [
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      ],
      "description_short": "One precut piece of cotton poplin brings a red spotted pattern to dressmaking, patchwork and home sewing.",
      "description": "Start with the project, not just the print\n\nA fabric can catch your eye before you know what to make with it. Red polka dots are easy to picture in a dress, a small bag or a bright patchwork panel. The harder part is knowing whether the piece is the right size and type for the job.\n\nThis polka dot fabric comes as one precut piece, 1 metre long and 111 cm (44 in) wide. It is cotton with a poplin weave, and the dots measure 8 mm. Those are useful starting points, but they do not replace the fabric requirements on a sewing pattern.\n\nBefore ordering, decide what you want the fabric to do. A decorative pocket has different needs from a fitted blouse. A patchwork block needs much less fabric than a full skirt. Matching the piece to a clear plan helps you avoid running short halfway through cutting.\n\nWhat cotton poplin tells you\n\nCotton describes the material. Poplin describes the weave. Together, they identify this as cotton poplin fabric rather than a stretch knit or a finished sewn item.\n\nThe maker's description names dressmaking, quilting, crafts and home décor as uses. That gives you several directions to consider, but it does not mean every project in those groups will suit this particular piece. Your pattern still needs to match the fabric and the amount available.\n\nSome useful details are not stated. There is no stretch measurement, opacity rating or shrinkage rate. The listed weight is 150 g, but that is an item weight, not a stated fabric weight per square metre. If your pattern calls for a certain GSM, ask for confirmation rather than treating those figures as the same thing.\n\nUnderstand the precut size\n\nThis is a fixed piece of precut cotton fabric. It is not a service where fabric is cut to your requested length. Plan around the supplied 1 metre length and 111 cm width.\n\nStart by reading the fabric chart for your chosen pattern size. Use the requirement closest to the actual supplied width, and check the cutting layout rather than relying on a general estimate.\n\nIf a design needs more than one metre, buying extra pieces may not solve the problem. A long skirt panel or another large shape may need an unbroken length. Multiple quantities are not promised as a continuous piece, so confirm that point before ordering.\n\nLeave room in your plan for seam allowances and any preparation before cutting. A layout that only just fits on paper may leave little room for adjustments.\n\nJudge the pattern at the right scale\n\nThe 8 mm dots give you a stated pattern size to work with. That matters when deciding how the print will look on a finished item.\n\nOn a small piece, such as a pocket or patchwork block, only part of the pattern may be visible. Across a larger panel, the repeated dots become more of the overall look. Think about both views before you cut.\n\nRed spotted cotton fabric can be a starting point for a retro-inspired project, but the print does not set the whole style. Shape, buttons and contrasting fabric will all affect the result. A simple design may let the dots stand out, while a mixed-fabric project can use them as a smaller accent.\n\nThe separate dot colour is not stated by the maker. If an exact colour match matters, seek clarification before buying coordinating materials.\n\nPlanning clothing with a small piece\n\nDresses, shirts and blouses are listed uses, but a listed use is not a promise that one piece will make a complete garment. Size, sleeve shape, skirt fullness and pattern layout all change the amount needed.\n\nWhen choosing fabric for dresses, start with the exact pattern and size you intend to sew. If the full garment will not fit, consider whether the design allows a contrasting bodice, pocket or panel. Only make that change if it works with the pattern's construction.\n\nThe same approach applies when selecting fabric for blouses. Check the required width and length first. Also check whether the pattern calls for stretch, a particular drape or a lining, since those details are not all supplied here.\n\nFor children's clothing, use a pattern suited to the intended garment. No safety certification is stated, so do not assume one from the suggested uses.\n\nPatchwork, crafts and smaller projects\n\nA defined precut size can make planning small projects more straightforward. You know the starting dimensions and can sketch a cutting layout before committing to a design.\n\nAs cotton patchwork fabric, this piece can be considered for blocks, borders or smaller patterned sections. Count each cut shape with its seam allowance included. If you want the dots to sit in a particular way, allow extra room for positioning rather than packing every shape tightly together.\n\nThe source details include an unexplained Quilted feature. That is not enough to confirm batting, backing or a finished quilted construction. If you need those features, ask before ordering.\n\nFor craft fabric projects, begin with a template or finished-size plan. Small accessories and decorative details may be options, but the fabric is only one part of the build. Closures, interfacing and other supplies should come from your project's instructions.\n\nUsing the print around the home\n\nHome décor is another listed use. Think of the fabric as a patterned material for a planned sewing project, not as a promise of performance in every room.\n\nA decorative panel or small fabric accent may have modest demands. Seating, outdoor items and light-blocking window treatments need specific properties that are not stated by the maker. Do not assume upholstery strength, weather resistance or blackout performance.\n\nCheck the full dimensions of your proposed item, including hems, seams and any overlap. A finished size can look small enough for the piece while still needing more fabric once construction allowances are added.\n\nIf you are combining this home decor fabric with another material, consider care as well as colour. The completed item needs a care method that suits all its parts.\n\nPrepare before the first cut\n\nWhen the fabric arrives, inspect it before washing or cutting. Check the piece against your order and look it over while it is still unused. Keep the packaging until you are sure you will keep it.\n\nNext, review your pattern layout. Place paper pieces within the available dimensions and check their orientation. Taking a few extra minutes here is easier than trying to replace a section after it has been cut too short.\n\nFor a washable project, consider how you will prepare the fabric before sewing. The maker does not state a shrinkage rate, so no exact allowance can be promised. Remember that washing changes your return options under the stated policy.\n\nIf you are unsure about an important property, such as coverage or stretch, resolve it before cutting. Those checks are especially useful when sewing clothing.\n\nCare for the fabric and finished item\n\nMachine washing at 30°C is the stated care instruction. Drying instructions and an ironing temperature are not given by the maker by the maker, so check any care label that comes with the piece.\n\nTest an uncertain care method on a small offcut before using it on the main project. Keep that test piece with your sewing notes if you want a reference for later.\n\nA finished item may need different treatment because of its other parts. A lining, zip or decorative trim can affect washing and pressing choices. Plan those materials together rather than choosing them only for appearance.\n\nStore the unused fabric somewhere clean and dry. Keeping it folded with your pattern and project notes can also help you remember what it was bought for.\n\nDelivery, returns and sewing gifts\n\nNo delivery lead time is stated in the maker's description. Check the available delivery information for your New Zealand address before planning a sewing session around its arrival.\n\nIf the fabric is a gift, the recipient's project matters as much as their taste in prints. A one metre fabric piece is most useful when they can work within that size. Gift packaging is not specified.\n\nFor a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging. The return window is 14 days from delivery, and the customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this red cotton fabric when its polka dot design, cotton poplin weave and precut size fit your project. You receive one piece measuring 1 metre by 111 cm, with 8 mm dots and a listed 30°C machine wash.\n\nCheck the pattern layout first, ask about any missing detail that matters, and inspect the piece before washing or cutting. A little planning gives the fabric a clear job from the moment it arrives.",
      "llm_summary": "This product is one precut piece of red polka dot cotton poplin for sewing, dressmaking, quilting patchwork, crafts and home décor. The supplied piece is 1 metre long and 111 cm (44 in) wide. The dot pattern measures 8 mm. Cotton is the stated material and poplin is the stated weave. Listed product weight is 150 g, which is not a fabric weight per square metre. Machine washing at 30°C is specified. Stretch, opacity, shrinkage rate and country of origin are not specified by the maker. New Zealand returns are allowed within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. Customers pay return postage, while faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/red-polka-dot-cotton-poplin-1-metre/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "white-cotton-fabric-5-metres",
      "sku": "white-cotton-fabric-5-metres",
      "title": "White Cotton Fabric 5 Metres",
      "slug": "white-cotton-fabric-5-metres",
      "price": 165.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "dressmaking-fabrics",
      "category_label": "Dressmaking Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "150 g",
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      ],
      "description_short": "One precut piece of plain-weave cotton gives you a simple starting point for clothing, quilting and useful home projects.",
      "description": "Start with the project, not just the colour\n\nBuying sewing fabric can feel simple until you start checking the details. A white cloth may look right in a picture, but your pattern also needs the right width, weight and structure. A little planning now can save you from running short or choosing a fabric that behaves differently from what you expected.\n\nThis white cotton fabric is supplied as one precut piece, 5 metres long and 147.5 cm (58 in) wide. It is listed as 100% cotton with a plain weave and a solid white finish. Suggested uses include dressmaking, quilting, curtain linings, pillowcases and tote bags.\n\nThink of it as a starting material rather than a finished solution. The same piece can be considered for several types of sewing, but your chosen design determines whether it is the right match.\n\nUnderstand what you are buying\n\nThe fixed size matters. This is not fabric cut to your requested length, and you are not choosing a quantity of individual metres. You receive one precut piece with the stated dimensions.\n\nBefore ordering, find the fabric requirements on your pattern. Look for the amount needed at a width close to 147.5 cm.\n\nCheck whether the stated requirement includes every part of the project. Pockets, ties, facings and handles all need space. If you plan to alter a pattern, draw the changed pieces before deciding that 5 metres will be enough. Small additions can affect the cutting layout more than you might expect.\n\nHow the cotton and weave affect your choice\n\nThe listed composition is 100% cotton. Its plain weave describes the basic crossing structure of the threads, while the solid white finish means there is no printed motif to position or match.\n\nThat can make layout planning less fussy than working with a large print. You still need to follow grainlines, check the fabric edges and place each piece as your pattern directs. A plain surface does not remove the need for careful measuring.\n\nThe maker describes the cloth as medium weight at 150 gsm and gives a thread count of 120. These details help describe it, but they do not tell the whole story. Drape, opacity and stretch performance are not specified.\n\nKeep fabric weight and item weight separate\n\nFabric weight in gsm means grams per square metre. It describes the weight of a set area of cloth, which is useful when comparing fabrics.\n\nThe maker's description also gives an item weight of 150 g. That is a separate field, not another way of writing 150 gsm. It should not be used to calculate how much fabric you receive or to override the stated piece size.\n\nFor choosing a project, focus on the supplied dimensions and the fabric specification.\n\nChoosing it for dressmaking\n\nWhen considering plain cotton dressmaking fabric, start with the pattern's recommended materials. Look for a woven cotton requirement and check whether the design depends on a very light drape, a firm shape or stretch.\n\nDo not swap it into a stretch pattern just because the colour works. Stretch performance is not stated by the maker. A design that relies on fabric stretching around the body needs the right material to achieve its intended fit.\n\nWhite also deserves an opacity check. Hold the fabric over the background or undergarments you expect to use, in lighting similar to where the garment will be worn. If it needs a lining, include that extra material and work in your project plan. Avoid assuming that the listed weight guarantees coverage.\n\nPlanning quilting and smaller sewn pieces\n\nCotton fabric for quilting is one of the listed uses. A solid white can form part of a design with other fabrics, but compare the materials before sewing a large section. Differences in weight, care needs or shrinkage can affect the finished result.\n\nWork out your cutting plan on paper first. Count the pieces, include seam allowances and leave enough room to square up edges where needed. A useful length can disappear quickly when a design uses many repeated shapes.\n\nSmaller projects can also make good use of leftover sections. Keep usable offcuts together and label their measurements after cutting. This makes it easier to judge whether a remaining piece will suit a later repair, patch or small sewn item without unfolding everything again.\n\nPillowcases, bags and curtain linings\n\nIf you are choosing cotton fabric for pillowcases, measure the actual pillow rather than relying only on its size name. Your layout needs room for the body of the case, seams and the closure style.\n\nCotton fabric for tote bags needs a different set of checks. Think about what the bag will carry and how its handles attach. The listed fabric use does not establish a load rating. Follow a suitable pattern and assess whether the design calls for reinforcement or another layer.\n\nCurtain lining fabric should be chosen with the room's needs in mind. This fabric is listed for curtain linings, but no blackout or thermal performance is given. If blocking light is the main goal, a white cotton lining should not be assumed to provide that function.\n\nCheck the piece before you prepare it\n\nWhen the fabric arrives, keep the packaging while you inspect it. Check the colour, measure the piece and look over the surface before washing or cutting. This is also the point to compare it with your pattern and any fabrics it needs to match.\n\nDo those checks in good light on a clean surface. If you are deciding whether the white shade suits an existing project, place the fabrics next to each other rather than comparing them from memory.\n\nThe return conditions matter here. Change-of-mind returns are available within 14 days of delivery only when the fabric is unwashed, uncut, unused and in its original packaging. Inspect first, then decide whether to begin preparation.\n\nWashing and preparing for sewing\n\nMachine washable cotton fabric can be useful for items that will need regular cleaning. The listed care method is machine wash, but no wash temperature or shrinkage percentage is specified.\n\nOnce you have decided to keep the fabric, prewashing before cutting can help account for possible cotton shrinkage. Follow any supplied care label and wash with similar colours. Avoid adding items that could transfer dye onto the white cloth.\n\nLet the fabric dry according to any supplied guidance. Before pressing the whole piece, test a small section or offcut and check the result. Take time to smooth the fabric before laying out a pattern. Creases and folds can make accurate cutting harder, especially when several pieces must fit into a planned area.\n\nMake a layout before making a cut\n\nA full cutting plan is worth the effort, even for a simple project. Lay out all the pattern pieces first, including the small ones. Check that seam allowances are included where needed and that each piece follows the required grainline.\n\nIf your work surface is shorter than the fabric, support the unused length rather than letting it pull on the section you are measuring. Work in manageable areas, keeping the rest clean and out of the way.\n\nFor a new design, sew a trial seam on an offcut. Check your thread, stitch settings and seam finish there before using the main pieces. This is practical preparation, not a guarantee of any particular result. It gives you a chance to adjust your method while the main fabric is still intact.\n\nBuying for a deadline or as a gift\n\nIf your project has a fixed date, confirm delivery timing before ordering. A delivery lead time is not specified by the maker, so leave room for both arrival and sewing preparation.\n\nFor a gift, think about the recipient's usual work. Someone who makes bags may have different fabric needs from someone who sews flowing garments. A fixed piece is easier to assess when you know the kind of pattern they plan to use.\n\nKeep gifted fabric unwashed and uncut until they have checked it. Retaining the original packaging also helps preserve the stated change-of-mind return option.\n\nThe short version\n\nThis is one precut piece of white cotton, 5 metres long and 147.5 cm (58 in) wide. It has a plain weave and is listed for dressmaking, quilting and several home sewing uses.\n\nChoose it by matching your pattern to the fabric, not by colour alone. Check width, length and the qualities your design needs. Inspect before washing or cutting, then prepare it with care. If it is not suitable, the stated return conditions give you a clear next step. Faulty or wrongly described goods are put right free of charge.",
      "llm_summary": "This white cotton fabric is supplied as one precut piece measuring 5 metres long and 147.5 cm (58 in) wide. It is listed as 100% cotton with a plain weave, a solid white pattern, a 120 thread count and a fabric weight of 150 gsm. Suggested uses include sewing, dressmaking, quilting, curtain linings, pillowcases and tote bags. Machine washing is listed as the care method. Shrinkage rate, opacity and stretch are not specified by the maker. Change-of-mind returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/white-cotton-fabric-5-metres/",
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    },
    {
      "id": "fusible-fleece-interfacing-roll",
      "sku": "fusible-fleece-interfacing-roll",
      "title": "White Medium Weight Fusible Fleece Roll",
      "slug": "fusible-fleece-interfacing-roll",
      "price": 95.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "interfacing-and-wadding",
      "category_label": "Interfacing And Wadding",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "590 g",
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        "https://fabriccompany.co.nz/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-roll/fusible-fleece-interfacing-roll-5.jpg",
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      ],
      "description_short": "One-sided heat-activated adhesive helps you attach a soft supporting layer without separate glue.",
      "description": "When fabric needs a little more support\n\nA fabric can look right for a project yet feel too thin once you start putting the pieces together. A pouch may need a softer body, or a bag pattern may call for an extra layer between the outer fabric and lining. Choosing that layer matters as much as choosing the fabric itself.\n\nFusible fleece is one option when your pattern asks for soft support. This roll is white, medium weight and adhesive on one side. Heat from an iron activates the adhesive so the fleece can attach to a suitable fabric.\n\nThe important word is suitable. Your pattern needs to call for this kind of layer, and your fabric needs to tolerate the application process. A little checking before you buy can save a great deal of unpicking later.\n\nWhat this roll gives you\n\nYou receive one roll measuring 30 cm (11.8 in) wide and 10 yards (9.1 m) long.\n\nThat format gives you material to plan across several smaller projects, depending on the size of their pieces. It also lets you keep the unused portion for later work. The number of projects you can make is not fixed, since cutting layouts can vary widely.\n\nThe maker's description also description product dimensions of 30 x 5 x 5 cm and an item weight of 590 g. Those details are separate from the usable roll measurements. When deciding whether your pattern fits, work from the 30 cm width and 10 yards (9.1 m) length.\n\nHow the iron-on layer works\n\nThis is heat activated interfacing. Its adhesive is on one side, which attaches to the fabric when applied with an iron according to the supplied directions.\n\nBefore starting, identify the adhesive side from the product instructions. Arrange your pieces so that side meets the intended fabric surface. Avoid guessing, particularly if you are new to one-sided fusible fleece.\n\nThe maker does not state the pressing temperature, pressing time or steam setting in the maker's description. There is no single setting here to recommend. Read the directions that arrive with the roll, then check that your fabric can tolerate them.\n\nA scrap test is useful because it lets you assess the bond and the look of the fabric without risking a main panel. Use an offcut of the actual project fabric rather than an unrelated scrap.\n\nDecide on the feel you want\n\nMedium weight describes this fleece, but it does not give an exact thickness or fabric weight per square metre. The maker does not state those measurements in the maker's description.\n\nThink about what your pattern is trying to achieve. If it specifies medium weight fusible fleece, this is a product to compare against that requirement. If it asks for a stiff insert, foam or another named support, do not assume fleece is the same thing.\n\nSoft bag support and firm structure serve different aims. A finished bag's shape also depends on its size, seams, outer fabric and construction. This fleece does not come with a promise that any bag made with it will stand upright.\n\nWhen changing a pattern's recommended material, make a small sample first. Judge the layered result, not just the fleece on its own.\n\nWho should consider it?\n\nSomeone making small bags or pouches may find a fusible fleece roll useful when their pattern calls for this material. Its full-roll format can also suit a sewer who wants to keep a supply ready for repeat projects.\n\nFor pouch interfacing, start with the pattern pieces. Check the width of the outer panels and any smaller sections that need support. A short project can still contain a piece that is too broad for a narrow roll.\n\nBeginners can consider it too, provided they are willing to test and follow the application directions. The iron-on method does not remove the need for careful cutting or heat checks.\n\nIf you need a known fibre composition, exact thickness or a particular technical specification, ask for that information before buying. Those details are not stated by the maker.\n\nPlan around the 30 cm width\n\nThe roll length may catch your eye first, but width is often the deciding measurement. This 30 cm fusible fleece needs to accommodate each piece in your cutting plan.\n\nTrace or measure the pieces that require fleece. Then arrange them within a 30 cm-wide space, using your pattern's instructions for orientation and seam allowances. This gives a more useful estimate than simply copying the amount of outer fabric listed.\n\nDo not assume that a piece wider than the roll can be joined without affecting the result. If your pattern needs broad panels, check whether it allows joins or calls for a wider support material.\n\nLeave room in your plan for testing. A small test piece uses some material, but it can prevent a larger mistake. Keep track of the remaining roll length as you complete projects.\n\nCheck the outer fabric before fusing\n\nIron-on fleece interfacing needs heat, so the outer fabric is part of the decision. Read its care instructions before you commit to a fusible product.\n\nTest the complete combination you intend to sew. Look at the fabric face after application and check whether the layered sample has the feel you want. If the fabric is light or has an open weave, consider whether the white backing changes its appearance.\n\nLet the sample settle according to the supplied instructions before judging the bond. Do not move straight to the main pieces if you are uncertain about the result.\n\nThis is also a good point to review your construction order. Some patterns ask you to apply support before sewing certain seams. Following that order can make the work easier to manage.\n\nKeep the application process careful\n\nSet out the fabric pieces, fleece and instructions before switching on the iron. A clear work area makes it easier to keep the adhesive side facing the right way.\n\nUse the maker's directions for pressing rather than treating the fleece like ordinary fabric that only needs smoothing. Heat, moisture and time can affect an adhesive application, and the required settings are not given by the maker.\n\nWork on a test piece first, then follow the same approved method on your project. If the result is uneven or the fabric changes in an unwanted way, pause and check the directions.\n\nAvoid adding extra heat simply because a bond seems uncertain. First confirm the fabric's heat limits and the correct application method. Guessing can put the outer fabric at risk.\n\nWashing and caring for the finished item\n\nThe maker describes this as washable fusible fleece, designed to retain its structure and adhesive properties through regular washing. That is useful when planning an item that may need cleaning.\n\nIt does not mean every finished project can go through the same wash cycle. Outer fabric, lining, thread, trims and fastenings can all have different care needs. Base care on the least tolerant component.\n\nThe maker does not state a wash temperature or tumble-drying setting in the maker's description. Check any directions supplied with the roll rather than choosing a cycle from the fleece description alone.\n\nIf washing matters to your project, wash a layered test sample using a method allowed by all its components. Inspect the result before making care decisions for the finished item.\n\nStore the remainder for your next project\n\nKeep unused fleece clean and dry, away from direct heat. Retain the product packaging and any application instructions so you can check them when you return to the roll.\n\nIt helps to description how much you have used. A simple note with the remaining length can make your next cutting plan easier, especially when a project needs several matching panels.\n\nKeep usable offcuts together. They may be suitable for a later small piece or an application test, depending on their size. Measure them before relying on them for a pattern.\n\nAvoid separating the instructions from the material. A familiar-looking roll is not a reliable guide to pressing settings months later.\n\nCheck suitability before cutting\n\nBefore opening a new sewing project, compare the pattern's requirements with the product details. Check any unknown specifications that matter to you.\n\nCheck the order's delivery information if you are working towards a deadline or buying a gift.\n\nChange-of-mind returns are accepted within 14 days from delivery when the fabric is unwashed, uncut, unused and in its original packaging. You pay return postage. Faulty or wrongly described goods are put right free of charge.\n\nThat makes an early check worthwhile. Decide whether the roll matches your needs before cutting or washing it.\n\nThe short version\n\nChoose this white medium weight fusible fleece when your pattern calls for a soft iron-on supporting layer and its pieces fit the 30 cm width. Each purchase supplies one roll, 10 yards (9.1 m) long.\n\nCheck fabric heat tolerance, follow the supplied application directions and test before working on the main pieces. Care for the finished item according to all its components, not the fleece alone.",
      "llm_summary": "This product is one roll of white medium weight fusible fleece for sewing projects. The roll measures 30 cm (11.8 in) wide and 10 yards (9.1 m) long. It has adhesive on one side that activates with heat from an iron. The maker describes the fleece as machine washable and able to retain its structure and adhesive properties through regular washing. Listed product dimensions are 30 x 5 x 5 cm, and item weight is 590 g. Fibre composition, country of origin, exact thickness and application settings are not specified by the maker. It is",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
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      "url": "https://fabriccompany.co.nz/fusible-fleece-interfacing-roll/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "iron-on-interfacing-1-metre",
      "sku": "iron-on-interfacing-1-metre",
      "title": "White Medium Weight Iron On Interfacing, 1 Metre",
      "slug": "iron-on-interfacing-1-metre",
      "price": 40.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "interfacing-and-wadding",
      "category_label": "Interfacing And Wadding",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "50 g",
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      "description_short": "A single white medium weight piece adds support to collars, dressmaking details and craft projects without a separate sewn-in layer.",
      "description": "A collar can look right when it is freshly pressed, then lose its shape as soon as you handle it. Other sewing details can feel too soft even when the stitching is neat. Sometimes the missing part is a support layer beneath the outer fabric.\n\nIron on interfacing adds that layer. It helps you change how a section of fabric behaves without replacing the fabric you chose for its colour, texture or pattern. The important part is choosing support that suits the job rather than adding firmness everywhere.\n\nThis piece is white, medium weight and fusible on one side. You receive one piece measuring 1 metre long and 90 cm (36 in) wide. Here is how to decide whether it fits your project, and what to check before using it.\n\nWhat interfacing changes\n\nInterfacing sits behind a fabric section to give it more body. In dressmaking, that can help a collar or another detail hold a more defined shape. In craft work, it may help a soft material behave more firmly during assembly.\n\nThe finished result depends on the combination of outer fabric and interfacing. A layer that feels modest on its own can make a noticeable difference once bonded. That is why looking at the interfacing alone is not enough.\n\nThink about the finished item in use. Does the section need to bend gently, stand more firmly, or simply feel less flimsy? Those questions are more useful than choosing the heaviest support available. Extra stiffness is not always an improvement.\n\nHow this fusible fabric works\n\nThis is single sided fusible interfacing. One side carries adhesive, which is activated with heat to bond the support layer to a suitable fabric. It is different from a sew-in product, which is held in place by stitching rather than a fused bond.\n\nIt is also different from double-sided bonding web. If you want to attach one fabric shape directly to another, check the materials called for by that method. A single adhesive side does not perform the same task as an adhesive layer designed to join two surfaces.\n\nThe maker does not give an iron temperature, pressing duration or steam setting. Follow any instructions supplied with the piece. Avoid borrowing a setting from another fusible product, since its application needs may differ.\n\nUnderstand the material and weight\n\nThe listed blend is 80% polyester and 20% viscose, with a non-woven construction. The texture is described as soft and smooth. Those details help identify the product, but they do not tell you exactly how it will feel behind every fabric.\n\nMedium weight is the support class. It is not a measured fabric weight in grams per square metre. The listed item weight is 50 g, which is a separate figure and should not be used as a substitute for a fabric weight rating.\n\nIf your pattern specifies a particular type of dressmaking interfacing, start there. A pattern calling for a stretch or sew-in layer may need something different. Matching the support type matters as much as matching its general weight.\n\nCheck the size before planning your cuts\n\nThe supplied size is one metre long by 90 cm wide. It is one defined piece, not a custom cutting service. Plan around that usable shape rather than assuming the width matches another interfacing you have bought before.\n\nGather all the pattern sections that need support and make a trial layout. Leave space for a test sample. Small sections can be easier to arrange than large ones, but a large number of small pieces can still use more material than expected.\n\nDo this before cutting your main fabric if possible. It gives you time to spot a shortfall and avoids stopping midway through assembly. Your pattern's cutting notes should guide the layout and any direction requirements.\n\nDecide whether your outer fabric is suitable\n\nThe maker describes this medium weight fusible fabric for use with light and medium weight fabrics. That is a starting point, not a guarantee for every fabric in those groups.\n\nCheck the outer fabric's heat tolerance first. If it cannot be ironed, a heat-bonded support may not be suitable. For fabrics with a textured surface, a delicate finish or a strong tendency to stretch, take extra care with testing.\n\nAppearance matters too. White iron on interfacing may affect how a thin or dark fabric looks. Hold the layers together in good light, then assess a fused sample. Look from the right side, since that is the surface people will see.\n\nMake a sample before the real pieces\n\nA useful test uses an offcut of the actual project fabric. A similar-looking scrap may react differently to heat or adhesive. Keep the sample large enough to handle and bend once the layers have cooled.\n\nFollow the supplied application directions and let the sample cool before judging it. Check whether the bond holds evenly and whether the outer surface has changed. Then feel the sample rather than only looking at it.\n\nFold it gently and compare it with the unsupported fabric. Is it firmer than you want? Does it still move as the project needs? This simple check can save a carefully cut collar or garment section from an unsuitable pairing.\n\nUse a controlled pressing method\n\nSet up a stable pressing surface and keep your layers flat. Identify the adhesive side before bringing in the iron. If you are unsure which side it is, check the supplied instructions rather than testing against the iron plate.\n\nA pressing action generally gives you more control than sliding the iron across loose layers. Movement can shift the pieces before the bond has formed. A suitable pressing cloth can also help protect your equipment and outer fabric during testing.\n\nDo not invent a longer pressing time to solve every bonding problem. First check the instructions, layer placement and fabric compatibility. More heat is not always the right answer, particularly when the outer fabric has a limited heat tolerance.\n\nWhere it fits in sewing and crafts\n\nInterfacing for collars is a familiar use because collars often need shape without a padded feel. Tailoring and dressmaking are also listed uses. Let the pattern tell you which sections need support instead of applying it to the whole garment by default.\n\nCrafts, applique, embroidery and quilting appear among the intended uses as well. Each covers many different methods, so check what your particular project requires. A broad use category does not mean one support layer replaces every specialist material.\n\nFor example, this sewing fabric stabiliser is not described as tear-away or wash-away. It is also not wadding. Choose it where bonded support is wanted, not where the project depends on removable backing or soft padded volume.\n\nThink about care before assembly\n\nCare decisions should begin before the finished item reaches the wash. Specific laundering settings for this interfacing are not stated by the maker. Check any guidance supplied with it alongside the outer fabric's care label.\n\nIf washing is important to your project, test a bonded sample using the intended care method when the instructions allow it. Let it dry and inspect the result. This gives you a better basis for deciding whether to continue with the full project.\n\nKeep unused non woven interfacing dry and away from direct heat. Store offcuts neatly so you can see their size and condition. A small leftover piece may be useful for a later test, even when it is too small for a pattern section.\n\nCheck the order before cutting\n\nWhen the piece arrives, check that it matches the stated colour, type and size before starting work. It is easier to resolve a mismatch while the fabric is still unused and in its original packaging.\n\nThe stated change-of-mind return window is 14 days from delivery. Fabric must be unwashed, uncut and unused, with its original packaging, and the customer pays return postage. Cutting a test sample means the piece no longer meets the uncut condition, so make your basic checks first.\n\nFaulty or wrongly described goods are put right free of charge. A confirmed delivery timeframe is not included by the maker, so check the available delivery information before ordering for a project with a fixed deadline.\n\nThe short version\n\nChoose this one metre interfacing piece when your project calls for white, medium weight, single-sided fusible support. It is a non-woven polyester and viscose blend intended for sewing, tailoring and a range of craft work.\n\nThen test the bond and finished feel on an offcut. A little checking before assembly is much easier than trying to change the support inside a finished project.",
      "llm_summary": "This is white medium weight iron on interfacing supplied as one piece measuring 1 metre long and 90 cm (36 in) wide. It is non-woven and made from 80% polyester and 20% viscose, with adhesive on one side. The listed item weight is 50 g. Intended uses include sewing, tailoring, collars, dressmaking, crafts, applique, embroidery and quilting. The maker describes suitability for light and medium weight fabrics. Compatibility should be checked on an offcut before use. Exact pressing temperature, pressing time, wash settings and fabric weight in grams per square metre are not specified by the maker. This is a single Country of origin is not specified by the maker.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
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      "brand": "Fabric Shop Company",
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      "url": "https://fabriccompany.co.nz/iron-on-interfacing-1-metre/",
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    {
      "id": "quilt-batting-strips-3-rolls",
      "sku": "quilt-batting-strips-3-rolls",
      "title": "Quilt Batting Strips, Pack of 3 Rolls",
      "slug": "quilt-batting-strips-3-rolls",
      "price": 76.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "interfacing-and-wadding",
      "category_label": "Interfacing And Wadding",
      "tags": [],
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      "materials": [],
      "dimensions": null,
      "weight": "810 g",
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      ],
      "description_short": "Three rolls of pre-cut batting keep strip-based quilting and craft preparation simple.",
      "description": "Less cutting before the sewing starts\n\nCutting long, narrow pieces of batting from a large sheet can take up a fair part of a craft session. You need room to spread it out, a clear cutting line and enough patience to keep each piece suited to your pattern. When the design calls for strips, starting with batting already in that format can make preparation simpler.\n\nThese quilt batting strips come in a pack of three rolls. The maker states a total length of 30 m. They are intended for projects such as jelly roll rugs, quilts, bags and plush toys.\n\nThe main question is whether the strip format fits your design. Width and thickness are not stated by the maker, so those details need checking before you commit to a pattern that depends on exact measurements.\n\nWhat batting does inside a project\n\nBatting is the filler layer within a sewn item. How you place it depends on the design. Some patterns put it between fabric layers. Others wrap fabric around a narrow length of batting before the covered strip is joined or shaped.\n\nThat is why jelly roll batting is different to buying a broad sheet for a quilt sandwich. The format can save preparation when narrow pieces are needed, but it does not replace every other kind of wadding.\n\nFollow the construction method in your pattern rather than treating all batting as interchangeable. A bag panel, a quilted strip and a rug may each need a different approach to joining and stitching. This product's listed uses offer starting points, not instructions for making each item.\n\nUnderstand the pack size first\n\nThe pack contains three rolls, with a stated total length of 30 m. Use that total when comparing it with your materials list. Do not calculate your project on the basis of 30 m per roll.\n\nLength is only one part of the decision. A pattern may call for a certain width, a certain loft or a particular fibre. Even enough metres will not make an unsuitable strip fit the design.\n\nBefore ordering, read through the whole pattern. Check whether its material allowance includes test pieces, joins and trimming. If it does not, work out what those steps will require before deciding how much batting to buy. There is no stated project yield for this pack.\n\nCheck width and thickness before choosing\n\nThe maker does not state the strip width in the maker's description. That is an important gap if you want to pair the batting with fabric strips of a fixed size. The fabric needs to cover or contain the filler in the way your instructions describe.\n\nThickness is also not given. You cannot tell from the roll count or pack weight how much padding a finished layer will have. The listed weight of 810 g is not a substitute for a loft measurement.\n\nIf your pattern names an exact batting size, ask for the missing details before buying. This is especially useful for jelly roll rug batting, where the folding method may depend on the relationship between the outer fabric and the filler.\n\nA clear note about the fibre description\n\nThe maker information is not fully consistent about composition. The product details list polyester. Other maker notes describe polyester and cotton blend batting. No fibre percentages are provided.\n\nThat means it should not be treated as pure cotton or as a confirmed blend with a known ratio. If you choose materials based on fibre content, seek clarification first.\n\nThis matters when you want to match existing supplies or follow a pattern that calls for a specific fibre. The sensible choice is to settle that question before cutting. A product photograph cannot confirm a fibre blend, and a general reference to cotton blend batting does not tell you the proportions.\n\nWhere strip batting may be useful\n\nJelly roll rug making is one of the listed applications. For this kind of project, check the batting requirements in the rug instructions, including any advice about joining lengths. The rolls provide a strip format, but the maker does not give a finished rug size.\n\nBags are another listed use. Consider what you want the filler to do within the bag. Padding and firm structure are different needs. No stiffness rating is supplied here, so do not assume this bag batting will replace a stabiliser named in your pattern.\n\nQuilts and plush toys are also mentioned by the maker. For quilts, confirm that the construction uses strips rather than a full batting sheet. For toys, follow a suitable design and do not infer safety approval from a suggested craft use.\n\nIs this a useful choice for a beginner?\n\nPre-cut batting strips remove one preparation task, which may appeal if you are still getting comfortable with measuring and cutting. You will still need to match the material to your pattern and handle the layers carefully.\n\nChoose a project with clear instructions and a manageable first stage. Read ahead before trimming any of the rolls. That gives you a chance to spot details such as joining methods or care requirements that could affect your choice.\n\nA small sample is worth making before a full project. It lets you see how your outer fabric folds around the filler and how the layers behave under your chosen stitch. It also helps you decide whether the result suits the finish you want.\n\nPlan your first sewing session\n\nStart by checking the pack while it is still unused. Look at the batting and compare its actual measurements with the requirements of your pattern. Keep the packaging until you are satisfied that the product is suitable.\n\nNext, set aside enough material for a small trial. Use the same outer fabric and the same layer arrangement you plan to use in the finished item. A test with different layers may not answer the questions that matter.\n\nFollow your machine's guidance when choosing a needle and settings. Machine compatibility is not stated for these craft batting rolls. There is no universal setting supplied with the maker's description, so it would be unwise to promise that one stitch length or needle will suit every project.\n\nThink about joins and leftovers\n\nA three-roll pack means your project planning should account for separate lengths. The maker does not state the length of each individual roll, so avoid assuming an equal split when a pattern calls for one uninterrupted piece.\n\nIf your design permits joins, use the joining method set out in its instructions. A join that works inside one type of project may not suit another. Check its position before sewing the surrounding fabric closed.\n\nKeep useful offcuts together so you can assess them for later test pieces or smaller parts. Do not count them as usable project length until you know their measurements. This helps keep a materials estimate grounded in what you actually have.\n\nMatch care to the whole finished item\n\nThe stated care instruction is hand wash only. That should be part of your project decision from the start, especially if you are making something that will need regular cleaning.\n\nThe outer fabric may have different care instructions. When several materials are combined, think about the needs of every component rather than following only the fabric label. A washable outer layer does not establish machine-wash suitability for the batting inside.\n\nNo ironing temperature or tumble-drying guidance is provided here. Check for further care information before using heat. If you are making a gift, pass on the hand-wash instruction so the recipient knows how the filler is intended to be cared for.\n\nCheck delivery and return details before cutting\n\nA delivery lead time is not stated by the maker. If you are buying for a class, a gift deadline or a planned sewing weekend, check the delivery information for your destination before placing an order.\n\nOnce the pack arrives, inspect it before washing or trimming. Change-of-mind returns are available within 14 days of delivery, provided the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. Keep those situations separate from simply choosing a material that does not suit your pattern. Checking the missing specifications in advance can help avoid that disappointment.\n\nThe short version\n\nThis pack offers three rolls of quilt batting strips with a maker-stated total length of 30 m. The pre-cut format is intended for strip-based craft work, with rugs, quilts, bags and plush toys among the suggested uses.\n\nChoose it by matching the material to your pattern, not by roll count alone.\n\nThen inspect the pack before cutting, make a small test and plan for hand-wash care. Those simple checks give you a clearer starting point for the sewing ahead.",
      "llm_summary": "This quilt batting product is a pack of three rolls of pre-cut filler strips. The maker states 30 m in total, and the listed product weight is 810 g. Maker details describe white batting for jelly roll rugs, quilts, bags and plush toy projects. Product details list polyester, while maker notes describe a polyester and cotton blend. Fibre percentages are not specified by the maker. Strip width, thickness and country of origin are also not specified. The stated care instruction is hand wash only. Change-of-mind returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer. Faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
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      "brand": "Fabric Shop Company",
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      "url": "https://fabriccompany.co.nz/quilt-batting-strips-3-rolls/",
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    },
    {
      "id": "cotton-fabric-squares-30-piece",
      "sku": "cotton-fabric-squares-30-piece",
      "title": "30-Piece Cotton Fabric Squares Pack",
      "slug": "cotton-fabric-squares-30-piece",
      "price": 51.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "quilting-fabrics",
      "category_label": "Quilting Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "240 g",
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      "description_short": "Thirty printed cotton pieces give you a varied starting point for cutting, arranging and sewing small fabric projects.",
      "description": "A smaller starting point for patchwork\n\nChoosing fabric can take longer than sewing it. You may want several prints for a patchwork panel without buying a large length of each one. A pack of smaller pieces gives you a way to compare designs, try a layout and work towards a manageable project.\n\nThis pack contains 30 printed cotton pieces in varied Japanese-style designs, described as retro style. Each piece measures 20 x 25 cm (8 x 10 in). You can cut them into smaller shapes or join them into a larger panel, depending on your pattern.\n\nThe useful first question is not how many things you could make. It is whether these pieces fit the project you actually want to sew. A few minutes with your pattern and a ruler can save a lot of reworking later.\n\nUnderstand the shape before you buy\n\nThe product name uses “cotton fabric squares”, but the pieces are rectangular. Their stated dimensions are 20 x 25 cm, not equal-sided squares. That distinction matters if your pattern calls for a particular precut format.\n\nDo not assume that a pattern written for another fabric pack will work without changes. Compare the required cutting sizes with the dimensions here. If your design needs a square, check that it fits within the shorter side of each piece, with enough room for any trimming.\n\nThe pieces are manually trimmed, and small variations or raw edges may be present. Measure the fabric you receive before making precise cuts. Plan around the usable area rather than expecting every edge to be ready for a finished block.\n\nHow the bundle works\n\nA patchwork fabric pack provides separate pieces that you arrange, cut and sew into your chosen design. The pack does not decide the finished size or include a fixed project plan. Your pattern and seam allowances determine how much fabric you use.\n\nStart by spreading out the pieces on a clear surface. Look at them together before choosing which ones to cut. Some prints may suit a central panel, while others may work better as smaller details.\n\nNext, make a simple cutting plan on paper. Mark which shapes come from each piece and leave room for seams. This is especially useful when you want a particular print to appear more than once. Cutting without a plan can leave an awkward remnant where you needed a larger shape.\n\nChoosing a project that fits\n\nSmall sewing projects are a sensible place to begin with pieces of this size. A patchwork panel, a set of practice blocks or decorative fabric details lets you work within a clear boundary. You can check the layout before committing every piece.\n\nFor a cushion panel, compare the finished panel size with your cushion pattern. Joining pieces reduces their combined size because fabric is taken into the seams. You may also need separate fabric for the back, plus a closure and filling.\n\nA larger quilt needs more planning. The number of pieces alone does not tell you the finished quilt size. Borders, block design and other fabric all affect the result. Treat this quilting fabric bundle as part of a measured plan rather than assuming one pack will complete a bed-sized project.\n\nWhat to know about the cotton\n\nThe product details identify the fabric as cotton with a plain weave. They do not state a fabric weight per square metre, thickness or measured shrinkage rate. The listed 240 g weight should not be treated as a measure of fabric density.\n\nThis matters when your pattern depends on a particular fabric weight or drape. If you need a close match to fabric you already own, the details here may not be enough to confirm it before purchase.\n\nThe words “Japanese style fabric” refer to the designs. They do not confirm where the fabric was made. Country of origin is not specified by the maker, so choose the pack for its stated material, prints and piece size rather than an assumed origin.\n\nBuilding a layout from mixed prints\n\nA varied print selection gives you choices, but it helps to view those choices together. Lay out your planned blocks before sewing. Step back and look at where your eye goes first.\n\nYou might spread similar-looking prints across the panel or group them in one area. Neither approach is a rule. The aim is to choose a layout you like before seams make changes harder.\n\nTry turning a piece around to see how the print reads in a different direction. If your design includes a motif you want to keep whole, place the cutting template over it before cutting. A useful shape on paper may land across a detail you would rather preserve.\n\nTake a photo of the arrangement once you settle on it. That gives you a reference when the pieces move from your work surface to the sewing area.\n\nHand sewing or machine sewing\n\nThe fabric is described as suitable for both hand sewing and machine sewing. Choose the method that suits the project and the way you like to work. A small panel can also be a chance to practise an unfamiliar technique without starting a large piece.\n\nFor hand sewing, mark your seam lines clearly enough to follow. Keep the pieces in order as you join them, particularly if you have already planned the print placement.\n\nFor machine sewing, test your stitch settings on an offcut first. Check the sample seam before sewing the main pieces. The maker does not specify a needle size, thread type or machine setting, so use your machine guidance and the needs of your pattern.\n\nCheck the whole supply list\n\nThis is a fabric pack, not a complete sewing kit. The listed contents are 30 fabric pieces. Tools, thread, backing, batting and closures are not listed as included.\n\nRead the full supply list for your project before ordering. A quilt block may be only one part of the finished item. A patchwork cushion also needs a way to close the cover, and a lined craft project needs suitable lining fabric.\n\nIt can help to separate what you already have from what you still need. That keeps the fabric choice tied to a project you can finish. It also makes it easier to compare a small-piece bundle with buying a larger length of fabric.\n\nCare before and after sewing\n\nThe stated care options are hand wash or dry clean. A wash temperature, drying method and ironing temperature are not given. Check any care information supplied with the pack before treating the fabric.\n\nTesting a small offcut separately is a sensible precaution before washing it alongside other materials. The maker does not provide a measured shrinkage rate or a colourfastness test result. Avoid treating either as guaranteed.\n\nIf you plan to wash fabric before sewing, make that choice before your final cutting measurements. Also remember that washing affects change-of-mind return eligibility. Inspect the pack first, confirm that it suits your project, and only then move on to preparation.\n\nFor a finished item made with several materials, consider the care needs of every component, including any lining, filling or trim.\n\nMake good use of the remaining pieces\n\nA cutting plan can leave useful offcuts rather than scraps with no clear purpose. Keep larger remnants flat and group smaller pieces where you can see them. Add a note if you want to remember which project they came from.\n\nFabric scraps for crafts can become practice pieces for testing stitches or checking a seam. They may also fit a later patchwork detail. Before saving everything, think about the smallest size you realistically use.\n\nStore unused cotton craft fabric clean and dry, away from direct sunlight. Keeping the pieces together makes it easier to revisit the print selection when you start another project. You do not need a complex system, just a place where small pieces will not get lost.\n\nCheck your order before cutting\n\nWhen the pack arrives, count the pieces and check their condition. Compare the fabric with the description, then measure for your intended layout. Do this before washing, cutting or beginning to sew.\n\nDelivery timing is not specified by the maker. If you are buying for a class, a gift or a project deadline, check the delivery estimate for your address before ordering.\n\nFor a change of mind, returns are available within 14 days of delivery. Fabric must be unwashed, uncut, unused and in its original packaging, and the customer pays return postage. Faulty or wrongly described goods are put right free of charge. Keep your order details handy if you need help.\n\nThe short version\n\nThis pack gives you 30 printed cotton pieces, each measuring 20 x 25 cm (8 x 10 in), for patchwork and creative sewing. The retro, Japanese-style prints offer a varied starting point for layouts and small projects.\n\nChoose it when the piece size fits your cutting plan. Check seam allowances, allow for raw edges and confirm any extra supplies before you begin. A clear plan turns a collection of fabric pieces into a project you can work on with confidence.",
      "llm_summary": "This pack contains 30 printed cotton fabric pieces for patchwork, quilting and craft sewing. Each piece measures 20 x 25 cm (8 x 10 in), making the pieces rectangular despite the product name referring to squares. The fabric has a plain weave, with varied Japanese-style prints described as retro style. The listed weight is 240 g. Pieces are manually trimmed and may have small variations and raw edges. Care guidance states hand wash or dry clean. Country of origin, fabric weight per square metre and shrinkage rate are not specified by the maker. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/cotton-fabric-squares-30-piece/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "floral-cotton-fabric-squares-42-piece",
      "sku": "floral-cotton-fabric-squares-42-piece",
      "title": "Floral Cotton Patchwork Squares, 42 Piece Pack",
      "slug": "floral-cotton-fabric-squares-42-piece",
      "price": 50.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "quilting-fabrics",
      "category_label": "Quilting Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "200 g",
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      "description_short": "Start with 42 pre-cut cotton squares and spend more time arranging colours and sewing.",
      "description": "Less cutting before the creative part\n\nStarting a patchwork project can mean a lot of measuring before you sew a single seam. If you want several colours, there is also the task of choosing separate fabrics and cutting each one into useful pieces. Pre-cut squares give you another starting point.\n\nThis pack contains 42 floral cotton squares, each measuring 25 x 25 cm (9.8 x 9.8 in). You can spread them out, compare the prints and start planning a layout without first dividing a length of fabric into squares.\n\nThat does not remove every preparation step. You still need to measure, choose a pattern and check seam allowances. What it does offer is a defined set of pieces to work with, which can make the first stage feel more manageable.\n\nWhat you get in the bundle\n\nThe pack brings together six colour groups, with seven pieces in each. The colours are red, yellow, green, blue, pink and purple. All have a floral theme, so there is a common thread across the mix even when the shades differ.\n\nThe fabric is listed as 100% cotton. The product details also list a jacquard weave and a pack weight of 200 g. They do not state the fabric weight per square metre, so the pack weight should not be used to judge fabric thickness.\n\nThink of this as a cotton patchwork fabric bundle, not a complete project kit. The stated contents are the fabric squares. Any pattern, thread, backing or other supplies need to be planned separately.\n\nHow pre-cut squares work in patchwork\n\nA square can become a whole patch in a simple quilt top, or it can be the starting piece for smaller shapes. Which approach makes sense depends on your pattern and how much cutting you want to do.\n\nFor a straightforward layout, arrange whole squares in rows. This lets the floral prints remain a main part of the design. For more detailed floral quilt blocks, your pattern may ask you to cut the pieces into rectangles, triangles or smaller squares.\n\nAlways read the cutting instructions before starting. It is easier to spot that mismatch on paper than after several squares have been cut.\n\nWho this format suits\n\nPre-cut cotton fabric squares can suit a beginner who wants to practise joining pieces without first preparing every square from yardage. A simple design gives you room to focus on consistent seams and matching joins.\n\nThey can also suit a more experienced sewer who wants a floral selection for a planned block or a set of smaller projects. You do not have to use every piece in one item.\n\nThe main question is whether the size and print style fit the way you work. If your pattern needs long, unbroken panels, squares may be the wrong format. If it calls for small patches, they may be a useful place to begin.\n\nChoose the project before counting the pieces\n\nForty-two squares tells you the pack quantity, but it does not tell you the finished quilt size. That depends on the arrangement, seam allowances and any extra design elements.\n\nStart with the finished size you want, then work backwards through your pattern. Count the pieces needed for the main blocks and allow for any cutting that leaves offcuts. Borders or strips between blocks will need their own fabric.\n\nFor a first project, a smaller panel can be easier to plan than a large bed quilt. You might use floral patchwork fabric for a cushion front or part of a table runner. These give you a chance to work with the prints before committing to a larger design.\n\nAllow for seams and trimming\n\nThe stated 25 x 25 cm measurement is the starting square size, not the finished size after sewing. Every joined edge uses some fabric inside the seam.\n\nFollow the seam allowance in your pattern rather than guessing.\n\nMeasure the squares before you begin and check them against one another. If your pattern requires trimming, decide on a consistent working size first. This is especially important when combining this pack with quilt block fabric from your own collection. Two packs described in similar terms may still need checking before they are sewn together.\n\nArrange colour before reaching for the thread\n\nMixed colour fabric squares give you choices, but it helps to see them together. Lay out the pieces on a clean surface and step back from the arrangement.\n\nYou might place similar colours next to each other, or spread them across the design. A bright square can draw attention to one area, while a quieter print can give the eye somewhere to rest.\n\nTake a photo once you find an arrangement you like. That gives you a reference if the pieces are moved before sewing. It also lets you compare two layouts without relying on memory. Do this in useful natural light where possible, since screens and room lighting can affect how colours look.\n\nDecide whether to add plain fabric\n\nYou can plan around the floral pieces alone, but adding plain fabric from your own supplies is another option. It can separate busy prints or extend a design beyond the squares in the pack.\n\nBefore choosing a plain colour, look at the actual fabric rather than relying only on description photos. Pick out a shade you want to repeat, then compare samples if a close match matters.\n\nCheck more than colour when combining fabrics. Follow your pattern's advice on suitable fabric types and preparation. A pleasing colour match is only one part of making pieces work together in a finished item.\n\nSmall projects can use the pack well\n\nA quilt is not the only way to use quilting cotton squares. Smaller projects let you divide the bundle across several makes, each with a different colour mix.\n\nFor fabric for cushion covers, consider a pieced front with a separate back. Your pattern will determine the size, fastening and any extra materials. For pouches or other accessories, check whether lining or added support is needed.\n\nKeep useful offcuts once the main pieces are cut. They may suit decorative patches or later fabric scrap projects. Sort them by size or colour so they remain easy to use rather than becoming a tangled pile at the bottom of a sewing box.\n\nCheck the details that are not stated\n\nSome project decisions need information beyond fibre content and square size. The maker does not specify shrinkage rate, colourfastness or fabric weight per square metre.\n\nDo not assume those details from a photograph. If a pattern has strict fabric requirements, compare them with the available information before ordering. For a specialist use, ask about any missing detail that would affect your choice.\n\nThe same care applies to finished dimensions. If your project must fit an existing cushion insert or a fixed space, plan from the sewn measurements.\n\nCare and preparation before sewing\n\nInspect the pack before washing or cutting. Check the colours, count the pieces and make sure the fabric suits your planned use while it is still eligible for a change-of-mind return.\n\nThe listed care options are hand washing or dry cleaning. For hand washing, use cold water and try a small piece first. Avoid assuming that the whole bundle can be treated the same way as another cotton fabric you already own.\n\nIf your pattern recommends prewashing, allow for that preparation before final cutting. Test pressing on a small area too, since an exact iron setting is not given. Keep unused pieces clean, dry and out of direct sunlight.\n\nBuying for someone else\n\nA floral bundle can be a thoughtful choice for someone who likes sewing with colour. Before choosing it as a gift, consider whether they usually work with pre-cuts or prefer buying longer lengths for a specific pattern.\n\nThe 42-piece format gives the recipient a set of fabric to plan around, but it does not include everything needed for a project. Avoid presenting it as a complete quilt kit.\n\nIf you are unsure about their taste, check whether floral prints feature in their recent work. A fabric gift is more useful when its style fits the projects the person enjoys making.\n\nThe short version\n\nChoose these patchwork squares if you want 42 pre-cut floral cotton pieces in a mixed palette, each measuring 25 x 25 cm (9.8 x 9.8 in). Check your pattern, allow for seams and plan any extra supplies before you begin.\n\nDelivery timing is not specified by the maker. Change-of-mind returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer. Faulty or wrongly described goods are put right free of charge.",
      "llm_summary": "This pack contains 42 pre-cut floral cotton fabric squares for patchwork, quilting and sewing crafts. Each square measures 25 x 25 cm (9.8 x 9.8 in). The fabric is listed as 100% cotton, with a jacquard weave in the product details. There are six colour groups, red, yellow, green, blue, pink and purple, with seven pieces per colour. The listed pack weight is 200 g. Care details specify hand washing or dry cleaning. Fabric weight per square metre, country of origin and shrinkage rate are not specified by the maker. Delivery timing is not specified. Change-of-mind returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
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    {
      "id": "black-cambric-dust-cover-fabric",
      "sku": "black-cambric-dust-cover-fabric",
      "title": "Black Cambric Dust Cover Fabric",
      "slug": "black-cambric-dust-cover-fabric",
      "price": 64.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "upholstery-fabrics",
      "category_label": "Upholstery Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "231 g",
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      "description_short": "This black polypropylene fabric covers exposed furniture components and offers stretch for fitting around corners.",
      "description": "When the underside is the only part that needs attention\n\nA sofa can still be comfortable even when the cloth underneath has torn or started hanging loose. You might notice it while cleaning, moving furniture or reaching for something that rolled underneath. The visible upholstery may be fine, but the exposed base looks unfinished.\n\nCambric dust cover fabric is made for this hidden area. It covers internal parts and helps keep dust and dirt away from them. Replacing worn cloth is a focused repair, rather than a reason to change all the upholstery.\n\nBefore starting, check what has actually failed. Loose bottom cloth is one job. A cracked frame, broken spring or sagging seat support is another. New cloth can tidy the underside, but it cannot fix the structure above it.\n\nWhat this piece provides\n\nThis product is one piece of black cambric fabric, 152 cm (60 in) wide and 3 yards (2.74 m) long. It is supplied in that size, not cut to your furniture measurements.\n\nThe product details describe non-woven polypropylene with stretch. The listed item weight is 231 g, and the fabric weight is 1.2 oz per square yard. Those figures describe different things. One is the weight of the item; the other describes the fabric per unit of area.\n\nIts job is to create a tidy underside covering. The black cloth conceals springs, screws, staples and other internal components. Think of it as a finishing layer, not a load-bearing part of the furniture.\n\nHow a dust cover works\n\nUpholstery underlining fabric spans an opening beneath a piece of furniture and attaches around suitable edges. It places a layer between the internal parts and the space below.\n\nThis helps reduce direct exposure to dust and dirt, but it does not turn the base into a sealed enclosure. The maker does not give a filtration rating or claim a dustproof seal. Gaps around legs and fittings may still be needed.\n\nThe cloth can be cut, folded and stapled. Its stretch helps with shaping around corners, though no stretch percentage is stated. Use that flexibility to improve the fit, not to make an undersized piece reach farther than planned.\n\nWhich projects suit this fabric?\n\nSofa dust cover replacement is a common use. If the couch bottom fabric has split but the rest of the furniture is sound, replacing just that layer can make sense.\n\nChairs and ottomans are also listed applications. Their smaller openings may leave material for another repair, but this depends on your cutting layout. Do not assume that one piece will cover a set of chairs without measuring every opening.\n\nA box spring dust cover is another possible project. Recliners are also listed, though their moving parts need special care during fitting. In every case, the opening size, fixing edges and access matter more than the furniture's name.\n\nMeasure the opening, then the fixing area\n\nStart by measuring the full underside area you want to cover. Details its length and width, then look at where the new cloth will attach. You need enough fabric to reach those fixing points and allow for folded edges.\n\nDo not measure only the damaged patch if you intend to replace the whole cover. A small tear may sit in a much larger panel. Equally, do not rely on a sofa's advertised width, since that may include arms and other parts outside the underside opening.\n\nCompare your measurements with the supplied piece in both directions. Turning a cutting layout around may help, but the stretch should not be treated as extra guaranteed coverage. Leave a practical allowance rather than planning an exact edge-to-edge fit.\n\nPlan before making the first cut\n\nLay out your measurements on paper before cutting the actual fabric. This is especially useful when one piece will become several chair covers or a mix of smaller panels.\n\nInclude the folded edges in each shape. Mark any openings needed for legs, brackets or other fittings. A simple drawing can reveal that two panels fit side by side, or that one large panel uses nearly the whole piece.\n\nKeep the fabric uncut while checking suitability. Once you cut it, you lose the option of a return under the stated change-of-mind conditions. Taking a few extra minutes at this stage is easier than trying to recover a piece cut too small.\n\nPrepare the furniture safely\n\nClear enough room to work without balancing furniture against a wall or another unstable surface. Large sofas and bed bases may require another person to help turn and support them. Do not work beneath furniture that could fall or shift.\n\nBefore removing the old cover, look at how it was fitted. A photo can help you remember the edge folds, attachment points and any openings around fittings. Treat the old cloth as a reference, not proof that the same placement was correct.\n\nRemove loose old fasteners carefully and inspect the frame beneath. If you find damage, stop and assess it before fitting the new cover. Hiding a fault under fresh cloth does not resolve it.\n\nFit for an even finish\n\nPosition the replacement cloth so the allowance is spread around the edges. Check that the whole opening is covered before fastening any section permanently.\n\nFor a suitable frame, the product information describes stapling as a fitting method. Choose fasteners and tools to suit the furniture, and check what lies behind each fixing point. Avoid placing fasteners near mechanisms or other parts that could be damaged.\n\nWork gradually around the opening, keeping the cloth even. Fold edges where appropriate and avoid pulling hard to remove every small ripple. A neat surface is the aim, but excessive tension puts strain on the fabric and its fixing points.\n\nPause during fitting to check that the piece has not shifted. Small corrections are simpler before the entire edge is secured.\n\nPay attention to moving parts\n\nA recliner dust cover needs more planning than a simple fixed chair base. Fabric must stay clear of the moving mechanism, including parts that change position as the chair opens or closes.\n\nDo not bridge a moving gap simply because it looks untidy when the chair is still. The cloth could catch or pull loose when the furniture moves. If you cannot tell which areas need clearance, seek advice from an upholsterer.\n\nThe same care applies to ottoman hinges and other moving fittings. A finished underside should not interfere with how the furniture works. Appearance comes after a clear, unobstructed mechanism.\n\nKnow when to choose a different fabric\n\nBlack upholstery fabric can describe many different products, so check the intended role rather than shopping by colour alone. This cloth is for furniture undersides. It is not described as a cover for seats, cushions or decorative panels.\n\nThe maker does not specify waterproof performance, outdoor suitability or a fire rating. If your repair has a particular performance requirement, do not assume this fabric meets it.\n\nLikewise, cambric fabric for upholstery is not a substitute for structural webbing or spring repairs. If the seat itself is dropping, investigate the support system. A new underside cover may be the last step after repairs, but it should not be the only step.\n\nCare after fitting\n\nOnce the cloth is in place, check for loose edges and spots where it might rub against a fitting. Look again after moving the furniture, since handling can expose a snag or loosen an edge.\n\nRemove loose surface dust gently. Avoid dragging sharp cleaning attachments across the cloth or pulling it away from its fixings. If there is a tear, assess whether a fresh panel would be more sensible than repeatedly tightening the damaged area.\n\nNo washing instructions are supplied. Seek advice before washing the fabric or applying cleaning products, rather than assuming that care advice for other polypropylene items will apply here.\n\nCheck delivery and returns before starting\n\nIf you need the repair finished by a certain date, confirm the delivery estimate before ordering. A lead time is not specified by the maker, so leave room in your plans rather than taking the furniture apart in advance.\n\nWhen the piece arrives, check it against your project before washing, cutting or using it. Keep the original packaging while you decide.\n\nReturns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage for these returns. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nThis black cambric cloth is a finishing material for furniture undersides. It suits measured repairs where one piece, 152 cm (60 in) wide and 3 yards (2.74 m) long, provides enough coverage and edge allowance.\n\nMeasure carefully, check the frame and plan your cuts. Fit the fabric evenly without over-stretching it, and keep every moving part clear. For sound furniture with worn bottom cloth, it offers a straightforward way to restore a tidy hidden surface.",
      "llm_summary": "This black cambric dust cover fabric is supplied as one piece measuring 152 cm (60 in) wide and 3 yards (2.74 m) long. The maker gives dimensions of 274.32 x 152.4 x 0.1 cm and an item weight of 231 g. It is non-woven polypropylene with stretch and a listed fabric weight of 1.2 oz per square yard. Intended uses include underside covers for sofas, chairs, ottomans, recliners and box springs, subject to fit. It conceals internal components and helps keep dust away. Delivery lead time and warranty are not specified by the maker. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/black-cambric-dust-cover-fabric/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "black-marine-vinyl-fabric",
      "sku": "black-marine-vinyl-fabric",
      "title": "Black Marine Vinyl Fabric",
      "slug": "black-marine-vinyl-fabric",
      "price": 98.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "upholstery-fabrics",
      "category_label": "Upholstery Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "680 g",
      "images": [
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        "https://fabriccompany.co.nz/dropship-images/upholstery-fabrics/black-marine-vinyl-fabric/black-marine-vinyl-fabric-4.jpg",
        "https://fabriccompany.co.nz/dropship-images/upholstery-fabrics/black-marine-vinyl-fabric/black-marine-vinyl-fabric-5.jpg",
        "https://fabriccompany.co.nz/dropship-images/upholstery-fabrics/black-marine-vinyl-fabric/black-marine-vinyl-fabric-7.jpg",
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        "https://fabriccompany.co.nz/dropship-images/upholstery-fabrics/black-marine-vinyl-fabric/black-marine-vinyl-fabric-9.jpg"
      ],
      "description_short": "A ready-sized faux leather piece with water, UV and abrasion resistance for upholstery and craft projects.",
      "description": "A worn seat cover or unfinished headboard can look like a simple fabric job until you start measuring. There are corners to wrap, seams to allow for and a choice of materials that can seem very similar online. Choosing well starts with knowing what the fabric offers and how much of it your project needs.\n\nThis black marine vinyl fabric is supplied as one fixed-size piece. It measures 1 yard (91 cm) long and 137 cm (54 in) wide. It has a solid black faux leather finish, with stated water, UV and abrasion resistance. Those details make it worth considering for seating, furniture and craft work, but fit and project requirements still come first.\n\nWhat marine vinyl brings to a project\n\nMarine vinyl is the product type given for this material. The brief describes it as faux leather and lists uses that include seating, boat accessories, indoor and outdoor furniture, headboards and crafts.\n\nThat range gives you several possible starting points. You might be planning a replacement panel for a seat, a covered headboard or a small accessory. In each case, the material is a covering to cut and attach as part of your design. It is not a finished cover, cushion or fitted upholstery kit.\n\nThe supplied piece can be trimmed, sewn, glued or stapled. Your chosen method will depend on the shape of the item, the supporting surface and whether the finished cover needs seams. Plan that method before cutting, since each approach needs its own allowance around the edges.\n\nUnderstand resistance without assuming too much\n\nWater resistance is useful when you are comparing upholstery materials for areas where splashes may happen. However, water resistant upholstery fabric is not the same as a waterproof finished item. Stitching creates holes, and water may reach foam or other layers through joins and exposed edges.\n\nUV resistance is also stated. This is a relevant feature when considering UV resistant vinyl fabric for a seat or item of furniture exposed to sunlight. The maker does not include a test rating or a promised period before fading occurs.\n\nAbrasion resistance relates to wear from rubbing. It is a stated feature here, but no measured rub count is supplied. If you need upholstery for a setting with a formal performance requirement, ask for the missing evidence before buying. A general resistance claim cannot replace a required test result.\n\nCheck the piece size against your actual pattern\n\nThe most useful planning step is to lay out every panel on paper. This product includes one piece measuring 1 yard (91 cm) long and 137 cm (54 in) wide.\n\nMeasure more than the visible face of the item. A seat cover may need material down the sides and underneath the base. A headboard may need enough fabric to reach around padding and onto the back. Sewn panels need seam allowances as well.\n\nPaper templates can reveal problems that a simple area calculation misses. Two shapes might have a combined area smaller than the fabric piece but still fail to fit beside each other. Lay them out at full size where possible, leaving room for cutting.\n\nDo not assume that several ordered pieces will arrive as one continuous length. If your design needs a large unbroken panel, confirm what is available before committing to the project.\n\nDecide whether the black finish suits the space\n\nSolid black vinyl gives you a plain finish without a printed motif to match across panels. That can make layout planning less involved than working with stripes or a large repeat.\n\nIt is still worth looking at the whole item rather than the fabric alone. Consider the frame, nearby upholstery and any trim you plan to keep. A new black panel may look different beside an older panel, even when both are described as black.\n\nProduct photographs can help with a general colour choice, but they cannot answer every question about surface appearance. Gloss level and texture measurements are not specified by the maker. If an exact visual match is essential, seek more information rather than relying on the colour name alone.\n\nMatch the fabric to the job\n\nBoat seat upholstery fabric needs to fit the shape of the seat and the conditions it will face. This product lists seating and boat accessories among its uses, but that does not confirm every possible marine application. Check whether your project has special requirements before choosing it.\n\nFor indoor furniture, focus on panel dimensions and how you will secure the edges. Measure the item itself rather than judging from how large it looks.\n\nHeadboard upholstery fabric needs enough extra material to wrap around the supporting structure. The front measurement is only part of the job. Include the depth of any padding and the reach needed for fastening.\n\nFor craft work, begin with the pattern and any thickness requirements. The maker does not state thickness here, so a project that depends on a precise material gauge needs further checking.\n\nChoose your fixing method before you start\n\nThe brief allows for sewing, gluing and stapling, but does not give detailed tool settings or adhesive recommendations. Treat those as project decisions that need testing, not as interchangeable steps.\n\nIf you plan to sew, use an offcut to check how your machine, needle and thread work together. Look at the result before sewing a main panel. This avoids discovering a problem after you have already made holes in a visible section.\n\nFor glued work, confirm that the adhesive suits both the vinyl and the surface beneath it. Follow the adhesive directions and test the combination first. Being able to glue a material does not mean every glue will bond it well.\n\nStapling needs a suitable supporting structure and enough fabric to reach it. Think through the corners before securing the first edge. A dry layout can help you see where folds will sit and whether you have left enough material.\n\nKnow which specifications are missing\n\nThe listed weight is 680 g, but weight alone does not tell you how thick or flexible a fabric will be. Backing composition, thickness and detailed material composition are not specified by the maker.\n\nNo certification, safety rating or country of origin is supplied either. If you are buying for a workplace, public setting or another project with specific rules, check the required documents first.\n\nThis matters most when a missing detail could stop the project. For example, an adhesive process may depend on the backing, while a fitted design may depend on thickness. Write down those requirements before ordering. It is easier to resolve a question at that stage than after cutting the fabric.\n\nKeep cleaning simple and check washing details\n\nThe product details list machine washing, but they do not give a cycle, temperature or drying method. That leaves an important gap. Confirm the supplied care directions before putting the material in a machine.\n\nFor routine surface cleaning, start with a soft damp cloth. Test any cleaner on an offcut and avoid harsh solvents or abrasive tools. A small test lets you check the result before treating the visible surface.\n\nCare also depends on what you make. An upholstered panel may include foam, adhesive, thread or a frame that cannot be washed in the same way as loose fabric. Once the material is fitted, consider the care needs of the whole item.\n\nLet the material dry before storage. Keep any useful offcuts for future cleaning tests or repairs rather than throwing every scrap away.\n\nInspect before cutting or washing\n\nWhen the piece arrives, check its colour, size and condition before starting work. Keep the original packaging while you decide whether it is right for the job. Recheck your pattern layout with the actual fabric in front of you.\n\nReturns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage for these returns. Cutting a test panel or washing the piece changes whether it meets those conditions.\n\nFaulty or wrongly described goods are put right free of charge. If something appears wrong, raise it before altering the fabric so the issue can be assessed in its delivered condition.\n\nA delivery lead time is not specified by the maker. Check the available delivery information before booking an upholsterer or setting a firm project date.\n\nThe short version\n\nThis is one piece of solid black faux leather marine vinyl, measuring 1 yard (91 cm) long and 137 cm (54 in) wide. It offers stated water, UV and abrasion resistance and can be trimmed, sewn, glued or stapled.\n\nChoose it by checking your full pattern, not just the visible surface you want to cover. Confirm any missing technical details that matter to your project, then inspect the piece before making changes. Good measuring and a clear fitting plan will help you decide whether this fixed-size fabric is the right starting point.",
      "llm_summary": "This product is one piece of black marine vinyl faux leather fabric. It measures 1 yard (91 cm) long and 137 cm (54 in) wide and has a listed weight of 680 g. The pattern is solid. The brief states water, UV and abrasion resistance and says the fabric can be trimmed, sewn, glued or stapled. Suggested uses include seating, boat accessories, indoor and outdoor furniture, headboards and crafts. Thickness, backing composition, country of origin and resistance test ratings are not specified by the maker. Machine washing is listed without cycle or temperature details. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/black-marine-vinyl-fabric/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "black-suede-headliner-fabric-2m-x-1-5m",
      "sku": "black-suede-headliner-fabric-2m-x-1-5m",
      "title": "Black Suede Headliner Fabric 2 m x 1.5 m",
      "slug": "black-suede-headliner-fabric-2m-x-1-5m",
      "price": 241.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "upholstery-fabrics",
      "category_label": "Upholstery Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "1.5 kg",
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      ],
      "description_short": "One piece of foam-backed fabric provides a soft surface for roof lining and interior panel projects.",
      "description": "A fresh roof lining starts with the right fabric\n\nA tired roof lining can make an otherwise tidy car feel neglected. Replacing the visible fabric may be part of the answer, but choosing material by colour alone can lead to trouble. The piece must cover the panel, work with its shape and suit the fitting method you plan to use.\n\nThis headliner fabric is supplied as one black piece measuring 2 m (79 in) long and 1.5 m (60 in) wide. It has a suede surface and 3/16 inch foam backing. Those are useful starting points for planning a repair, not a guarantee that it will fit every vehicle.\n\nBefore ordering, look at the whole job. Is the board sound? Can you remove it safely? Have you allowed enough fabric for the edges? A little preparation is easier than discovering a shortage after the first cut.\n\nWhat foam-backed fabric brings to the job\n\nFoam backed roof lining combines a visible fabric surface with a soft layer behind it. Here, the backing is listed as 3/16 inch thick. The product details describe the material as polyurethane (PU) and the fabric type as suede.\n\nThe foam adds a soft layer, but it is not a substitute for a sound panel. New fabric will not repair a broken board or correct a poor bond underneath. If the existing lining is falling away, assess the old covering and the panel before deciding how to proceed.\n\nThe maker does not give a stretch rating, total combined thickness or adhesive specification. These gaps matter when a panel has deep curves or tight clearances. Ask for advice rather than assuming that all foam backed upholstery fabric behaves alike.\n\nMeasure the panel, not just the visible roof\n\nThe finished area you see from the seats is not always the full area you need to cover. Fabric may need to follow curves, reach into recesses or wrap around edges. A measurement taken straight across the visible roof can miss that extra material.\n\nMeasure the panel at its longest and widest points. Then consider the path the fabric must follow across its shape. Account for the fitting allowance your installation method needs, rather than treating the supplied dimensions as an exact finished-panel size.\n\nIf your project needs more than 2 m in one direction or 1.5 m in the other, do not rely on stretching it to bridge the gap. No stretch performance is stated.\n\nA paper layout can help you check smaller panels too. Draw the pieces you need, including their allowances, before deciding whether they will fit within the available fabric.\n\nDecide whether black suede suits the interior\n\nBlack headliner fabric can form part of a coordinated interior with dark trim. Still, colour is only one part of the choice. Consider the existing pillars, sun visors, grab handles and any panels that will remain unchanged.\n\nThe listed pattern is solid, while the recorded weave type is herringbone. The fabric is described as suede, but it is not identified as genuine leather. The material description is polyurethane (PU), so buyers seeking animal-hide suede should not assume this is the same thing.\n\nWhen assessing any suede-style surface, check how it looks from different directions before cutting. Plan the orientation of neighbouring pieces together. That is especially useful if you want to use the same black suede upholstery fabric on a roof and a smaller trim panel.\n\nMatch the material to the application\n\nHeadliners, sunroof panels, door panels and RV interiors are among the listed uses. The maker's description also mentions seats, marine interiors and home furniture. These suggestions show the range of projects to consider, but they are not test results for every setting.\n\nA stationary roof panel has different demands from a seat that is rubbed each time someone gets in. A sunroof panel has moving parts and clearance limits. A boat interior may face moisture or sunlight that a sheltered panel does not.\n\nAbrasion ratings, waterproofing and UV resistance are not specified. Nor are certifications or a vehicle compatibility list. If your application depends on one of those properties, get it confirmed before buying.\n\nFor a straightforward interior trim fabric project, focus on the surface, shape and installation requirements. For a demanding or exposed application, seek more detailed suitability advice first.\n\nPlan the adhesive and preparation separately\n\nThe supplied contents are one piece of fabric. Adhesive is not listed as included, and the product is not stated to be self-adhesive. Foam backing does not mean there is a peel-off layer ready to stick to the board.\n\nChoose the bonding method with help from an adhesive maker or an experienced upholsterer. They will need to know the fabric has a foam backing, what the panel is made from and where it will be used. Follow the adhesive's own preparation and application instructions.\n\nInspect the old panel before adding new material. Loose residue or damaged areas may need attention under the chosen fitting process. If you are unsure how to remove trim or work around vehicle equipment, get help before dismantling the interior.\n\nGood replacement headliner fabric cannot make up for rushed preparation. Treat the condition of the base and the choice of adhesive as separate decisions that both need to be right.\n\nCheck the piece before making permanent changes\n\nThe fabric arrives folded, not rolled. Give yourself space to open it and lay it flat before judging the surface or marking a layout. The maker suggests leaving it flat for a few hours to allow delivery folds to settle.\n\nDo not assume that heat is the next step if a crease remains. No ironing or steaming instructions are provided. An untested heat treatment could create another problem, so ask for guidance before trying it.\n\nInspect the size, surface and backing while the piece is still uncut and unused. Keep the original packaging. This makes it easier to assess the material calmly and preserves the stated return option if it does not suit your plans.\n\nPhotograph or note any issue before starting work. If something appears faulty or different from the description, raise it before washing, trimming or fitting the fabric.\n\nLay out the job before reaching for scissors\n\nOnce you have decided to keep the material, work through the layout in full. Check which side faces out, how each panel will sit and where extra fabric is needed around edges. Marking a plan is less costly than guessing.\n\nFor a roof panel, think about the whole shape rather than starting from a convenient corner. For several smaller pieces, check their shared direction and spacing before cutting any of them. Leave openings and final trimming to the stage required by your fitting method.\n\nA fixed-size piece gives you a clear boundary to work within. It does not guarantee enough material for a roof plus matching door panels. If you want a coordinated result, calculate every piece first.\n\nKeep the work area clean and clear. Set aside enough time to follow the adhesive instructions without having to rush through an awkward section.\n\nCare depends on whether the fabric is fitted\n\nThe stated care instruction is hand wash only. Machine washing is not supported by that instruction. Detailed guidance on detergents, water temperature and drying is not provided.\n\nLoose fabric and installed car roof lining fabric need different care decisions. Once bonded in place, cleaning can affect the adhesive and the board as well as the visible surface. Check the fitting products' care advice before wetting an installed lining.\n\nTest any proposed cleaner on a small concealed area first. Avoid assuming that a product suited to another upholstery material will suit this one. If there is a stubborn mark, seek advice rather than moving straight to stronger products.\n\nIf you are still deciding whether to keep the fabric, do not wash it. The stated change-of-mind return terms require it to remain unwashed, as well as uncut and unused.\n\nAllow time for delivery and assessment\n\nNo delivery lead time is supplied in the maker's description. Check the delivery estimate for your address before booking installation or taking the vehicle apart. It is sensible to have the material inspected and ready before starting a time-sensitive repair.\n\nThe return window is 14 days from delivery. For a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. That is different from discovering that the chosen piece is too small for your panel, which is why measuring before purchase matters.\n\nThe short version\n\nChoose this car headliner material if its black suede surface, foam backing and fixed 2 m x 1.5 m size suit your project.\n\nInspect it on arrival, lay it flat and plan every cut. A careful choice at the start gives your roof lining or trim project a better foundation.",
      "llm_summary": "This headliner fabric is supplied as one black piece measuring 2 m (79 in) long and 1.5 m (60 in) wide. It has a suede surface and 3/16 inch foam backing. The product details list polyurethane (PU), a solid pattern, a herringbone weave and a weight of 1.5 kg. Listed applications include automotive headliners, sunroof panels, door panels, RV interiors and home upholstery projects. It arrives folded, not rolled. Care is hand wash only. Vehicle-specific fit, adhesive requirements, country of origin and certifications are not specified by the maker. Returns within 14 days of delivery require unwashed, uncut, unused fabric in its original packaging. Customers pay return postage; faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/black-suede-headliner-fabric-2m-x-1-5m/",
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      "updated_at": "2026-11-13"
    },
    {
      "id": "green-shade-cloth-90-percent-3m-x-6m",
      "sku": "green-shade-cloth-90-percent-3m-x-6m",
      "title": "Green 90% Shade Cloth Panel 3 x 6 m",
      "slug": "green-shade-cloth-90-percent-3m-x-6m",
      "price": 134.99,
      "currency": "NZD",
      "availability": "in_stock",
      "category": "upholstery-fabrics",
      "category_label": "Upholstery Fabrics",
      "tags": [],
      "colors": [],
      "materials": [],
      "dimensions": null,
      "weight": "2.1 kg",
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      ],
      "description_short": "A 3 x 6 m mesh panel with reinforced edges and grommets offers a practical way to add shade around outdoor spaces.",
      "description": "Start with the space that needs shade\n\nA sunny garden can be pleasant early in the day, then hard to use once the sun reaches a patio or a row of pots. Moving furniture may help for an hour. Moving established plants is often less practical. Shade cloth gives you another way to manage the light reaching a chosen area.\n\nThis product is one green 3 x 6 m panel with a 90% shade rating. It has reinforced edges, double-stitched seams and grommets spaced every 50 cm.\n\nThe useful question is whether that size and shade level suit your space. Start with the problem you want to solve, then check the panel against your measurements, supports and daily sunlight.\n\nWhat a 90% shade rating tells you\n\nThe shade rating describes the level of shading offered by the fabric. A 90% shade fabric is a dense option, so it deserves more thought than simply choosing the darkest panel available.\n\nStrong shade can be useful where direct sunlight is unwanted. It can also remove too much light from plants that need a bright position. Think about what will sit beneath the mesh and how long it will be covered each day.\n\nDo not read the rating as a promise of a fixed temperature drop. Heat also comes from paving, nearby walls and still air. Shading one surface does not control every part of an outdoor space.\n\nThe rating is not a personal safety certification either. Keep suitable sun protection in your plans, especially when sunlight can enter from the sides.\n\nHow the mesh differs from a solid cover\n\nThis panel is made from high density polyethylene, usually shortened to HDPE. The mesh is described as breathable, allowing airflow through the fabric rather than creating a solid barrier.\n\nThat matters when choosing between outdoor shade fabric and a roof. A mesh panel serves a different purpose from a cover designed to keep rain out. The maker describes rainwater passing through this fabric, so it should not be treated as waterproof shelter.\n\nFor a sitting area, consider whether shade alone is enough. If you want to leave cushions, books or other items outdoors during rain, this panel does not provide a stated weatherproof solution.\n\nFor garden use, breathable shade cloth offers an alternative to a solid sheet. Still, check conditions beneath it rather than assuming every part of the covered area receives the same airflow or moisture.\n\nMeasure the panel and the support layout separately\n\nThe supplied size is 3 x 6 m. Mark that rectangle out on the ground if you find measurements hard to picture. It is an easy way to see how the panel relates to a patio, planting bed or existing frame.\n\nNext, measure the support positions. The panel size and the distance between supports are not always the same thing. Your chosen attachment method needs space, and that should be included in your plan.\n\nDo not buy a panel on the assumption that stretching it will solve a size mismatch. Start with a layout that suits the finished size.\n\nAlso check the path of the sun. A panel directly above a chair at midday may not shade it later in the afternoon. Watch the space at the times you use it most. A few observations before ordering can prevent an awkward installation.\n\nCheck the grommet layout before buying fixings\n\nShade cloth with eyelets gives you defined places to attach the fabric. This panel has grommets at 50 cm intervals, with the maker's description describing their placement on the short sides.\n\nThat detail matters. Do not assume the panel has the same fixing layout around its whole perimeter. Compare the described arrangement with the supports you intend to use.\n\nThe reinforced edges and double-stitched seams are useful construction features, but they do not make the panel a structural product. Suitable supports and attachments still matter. No structural load limit or wind-speed rating is supplied in the maker's description.\n\nFixing hardware is not specified as included. Check that point before planning the job, and seek suitable installation advice if you are unsure about the frame or attachment method.\n\nDecide whether it suits your plants\n\nGarden shade cloth should match the plants beneath it, not just the size of the bed. Plants that prefer a shaded position have different needs from crops grown for strong sunlight.\n\nIf you are considering shade cloth for seedlings, check the needs of the specific plants. Young plants do not all need the same light level. A dense panel may suit some situations and be too much for others.\n\nThe same applies to greenhouse shade cloth. Look at the light already reduced by the greenhouse covering, then consider what another layer will do. Watch plant growth and conditions rather than treating one shade percentage as a fit for every crop.\n\nWhere several plants share a space, grouping them by light needs can make your shade plan easier. It may be more useful to cover one section than to shade the entire growing area.\n\nThink about comfort around a patio\n\nPatio shade cloth can help address direct sun without adding a solid roof. Before choosing it, think about how you actually use the area.\n\nPerhaps you need shade over a table during lunch. Perhaps the issue is low afternoon sun reaching a seat from the side. Those are different layouts, even if the ground area is similar.\n\nFor pergola shade cloth, check that the existing frame suits the proposed installation. A frame that looks substantial is not proof that it can carry any added fabric or weather load.\n\nThe panel is listed as wind resistant, but no rated wind limit is given. Do not turn that general description into a promise about exposed sites or severe weather. If your space is windy, resolve the support and weather plan before buying.\n\nTreat privacy as a separate question\n\nGreen shade cloth can also be considered for screening beside a garden or sitting area. Its colour may be less visually prominent near planting than a contrasting panel.\n\nHowever, a shade percentage does not tell you exactly how private a screen will be. Visibility through mesh can change with viewing angle and the light on either side.\n\nIf garden privacy mesh is your main goal, think about where people will stand and what you want to hide. A screen that softens a view may meet your needs even when it is not fully opaque.\n\nDo not treat it as a solid fence or secure enclosure. Shade and visual screening are different jobs from access control and physical protection.\n\nInspect the panel before putting it to use\n\nWhen the panel arrives, keep the packaging while you check that it matches your order.\n\nThis is also the time to compare the attachment layout with your plan. It is easier to address a mismatch before you start fitting or altering the fabric.\n\nAvoid cutting the panel as a first response to a poor fit. Cutting changes the finished edge construction and affects return eligibility.\n\nIf the goods are faulty or wrongly described, that is separate from a change of mind. Those issues are put right free of charge under the stated policy.\n\nKeep care simple and check for wear\n\nOutdoor mesh benefits from regular checks. Look at the seams and attachment points, especially where the fabric meets fittings or nearby surfaces.\n\nRemove loose leaves and other debris gently. Avoid pulling at anything caught in the mesh, since that can place extra strain on a small area. Check care guidance before using cleaning products or washing equipment.\n\nBefore storing the panel, let it dry. Fold it without trapping sharp objects inside and keep it away from tools or rough surfaces that could snag the fabric.\n\nNo fixed service life is stated. Condition will need to guide your decisions, so keep checking the panel rather than relying on a promised number of seasons.\n\nPlan delivery and returns before the project\n\nA delivery lead time is not specified by the maker. Check the available delivery information for your New Zealand address before arranging installation help or setting a project date.\n\nThere is a 14-day return period from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage for a change-of-mind return.\n\nThose conditions make early inspection worthwhile. Keep the panel in its original condition while you confirm it is right for the project.\n\nIf buying it as a gift, ask about the recipient's measurements and plans first. A shade cloth panel is most useful when its size, density and fixing layout match a real space.\n\nThe short version\n\nChoose this green shade cloth when your plan calls for one 3 x 6 m mesh panel with strong shading. Its listed features include HDPE construction, reinforced edges, double-stitched seams and grommets at 50 cm intervals.\n\nBefore ordering, check plant light needs, support positions and the described grommet layout. Remember that mesh shade is not a waterproof roof, a fully opaque screen or a storm-rated structure.\n\nA careful match between the panel and the space matters more than choosing by shade percentage alone. Measure first, keep the installation plan realistic and inspect the fabric before putting it to use.",
      "llm_summary": "This product is one green shade cloth panel measuring 3 x 6 m, with a 90% shade rating and grommets every 50 cm. The listed material is high density polyethylene, or HDPE, and the stated weight is 2.1 kg. Construction includes reinforced edges and double-stitched seams. The mesh is described as breathable, tear resistant and wind resistant. Fixing hardware, structural load limits and delivery timing are not specified by the maker. It is supplied as a complete panel, not New Zealand returns are accepted within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. Customers pay return postage. Faulty or wrongly described goods are put right free of charge.",
      "returnable": true,
      "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; Consumer Guarantees Act 1993 guarantees for faulty goods. Return postage on faulty goods is ours.",
      "shipping_profile": "standard",
      "warranty": null,
      "brand": "Fabric Shop Company",
      "gtin": null,
      "mpn": null,
      "condition": "new",
      "url": "https://fabriccompany.co.nz/green-shade-cloth-90-percent-3m-x-6m/",
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      "json_url": "https://fabriccompany.co.nz/api/products/green-shade-cloth-90-percent-3m-x-6m.json",
      "updated_at": "2026-11-13"
    }
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